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310

Article: Album Review

Milt Jackson: Sunflower

Read "Sunflower" reviewed by John Kelman


With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...

329

Article: Album Review

George Benson: White Rabbit

Read "White Rabbit" reviewed by John Kelman


After three late-1960s A&M albums with mastermind Creed Taylor prior to the creation of CTI Records, guitarist George Benson hit 1971 running with two CTI debuts, issued a few months apart. Beyond the Blue Horizon was closer, in complexion, to his A&M recordings--harkening back, even, to his impressive 1966 Columbia Records two-punch, It's Uptown and The ...

185

Article: Album Review

Ron Carter: All Blues

Read "All Blues" reviewed by John Kelman


In the 1960s and 1970s, few bassists were as ubiquitous as Ron Carter, from the experimental post/free bop of trumpeter Miles Davis's 1960s quintet to straight-ahead swing with guitarist Kenny Burrell and the greater extremes of saxophonist Archie Shepp. With the emergence of CTI Records, Carter became something of a house bassist for the label; on ...

323

Article: Album Review

Jim Hall: Concierto

Read "Concierto" reviewed by John Kelman


Amongst the many CTI classics of the 1970s, few stand the test of time as well as guitarist Jim Hall's Concierto, an ambitious album that, in its original form, married one side of modern mainstream with a second taken up by a 19-minute version of Joaquin Rodrigo's 1939 piece for classical guitar and orchestra, “Concierto de ...

185

Article: Album Review

Paul Desmond: Pure Desmond

Read "Pure Desmond" reviewed by John Kelman


With a dry tone, and unhurried phrasing definitive of the emergent West Coast Cool--a relaxed alternative to the edgier hard bop coming from New York--alto saxophonist Paul Desmond had already made a name for himself with pianist Dave Brubeck's quartet on the legendary Time Out (Columbia, 1959). Desmond also wrote the tune that became Brubeck's signature, ...

138

News: Recording

CTI 40th Anniversary Celebration Continues With 6 More Classic Reissues by Sony Masterworks

CTI RECORDS 40th ANNIVERSARY CELEBRATION CONTINUES! SONY MASTERWORKS JAZZ RELEASES CLASSIC REISSUES FROM GEORGE BENSON, DEODATO, MILT JACKSON, PAUL DESMOND, JIM HALL AND RON CARTER: Available January 25, 2011 Also available: Critically acclaimed CTI Records: The Cool Revolution deluxe 4-CD box and California Concert: The Hollywood Palladium 2-CD set featuring previously unreleased tracks Masterworks Jazz continues ...

409

Article: Extended Analysis

California Concert: The Hollywood Palladium

Read "California Concert: The Hollywood Palladium" reviewed by John Kelman


CTI All StarsCalifornia Concert: The Hollywood PalladiumCTI Masterworks1971 (Reissued 2010) With the emergence of CTI Masterworks and the firing salvo of its comprehensive, four-CD box set, CTI Records--The Cool Revolution (2010), CTI Records is back and better than ever. With upgraded sound and packaging that lovingly recreates, albeit ...

623

Article: Extended Analysis

Various Artists: CTI Records - The Cool Revolution

Read "Various Artists: CTI Records - The Cool Revolution" reviewed by John Kelman


Various ArtistsCTI Records--The Cool RevolutionCTI Masterworks2010 The late 1960s was, in many ways, a time of reckoning for jazz. While the music had continued to evolve over the previous half century, it was coincident with the emergence of rock music as a serious force that jazz began to ...


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