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Fred Hess Big Band: Hold On
by Troy Collins
Originally from Abington, Pennsylvania, tenor saxophonist Fred Hess has resided in Denver, Colorado since 1981. Though Denver is not often considered a hotbed of progressive jazz, Hess, as founder of the Boulder Creative Music Ensemble and Denver's Creative Music Works Orchestra, has fashioned an alternative to the East Coast/West Coast paradigm. With 14 albums as a ...
Glenn Patrik: Nuthin' But a Thang!
by Jim Santella
From America's heartland, Glenn Patrik sings and plays the kind of blues that made Kansas City a hub where musical pioneers met and exchanged ideas about swing, rhythm, blues, and being spontaneous. It was shortly before World War II and just about the same time that bebop was getting noticed in New York, when Kansas City ...
Brazilian Buffet: Trio + 1, Patricia Talem, Paulinho Garcia, Nilson Matta, Fred Hersch
by Dr. Judith Schlesinger
Here's a tasty buffet from Brasil: five newly released, or in 2009 recently revived, CDs that underscore the richness of the music. The artists range from brand new to legendary, while the menu includes two vocal CDs, one mix of vocals and instrumentals, and a pair of unusual takes on the genre: an other-worldly trio, and ...
Jazz Musician of the Day: Count Basie
All About Jazz is celebrating Count Basie's birthday today! JAZZ MUSICIAN OF THE DAY Count BasieBill Basie studied music with his mother as a child and played piano in early childhood. He picked up the basics of early ragtime from some of the great Harlem pianists and studied organ ...
George Wein's CareFusion Jazz Festival 55 a Triumph
by R.J. DeLuke
There seemed to be a distinct feeling in the air at this year's jazz festival in Newport, R.I. It would be easy to imagine that there was something in the air, because the festival that was started by impresario George Wein way back in 1954 and became the model for all to follow had suffered an ...
Large Ensembles: Is There a Place in This Large Music World?
by R.J. DeLuke
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. It gave rise to iconic band leaders like Fletcher Henderson, ...
Amiri Baraka: Perspectives on Music and Race
by Lloyd N. Peterson Jr.
Amiri Baraka is the author of the insightful and comprehensive book, Blues People. It is a book that has opened many minds and readers to the African American Diaspora along with the history and roots of African American music. Baraka has now published a new book of essays titled, Digging (The Afro-American Soul of American Classical ...
Hal Schaefer
by Andrew Velez
The most important thing about me has to be that what I did musically has always been the most meaningful music that I could make at the time. ...I did the most honest music that I could." As he approaches his 84th birthday this month, pianist, conductor, arranger, composer, accompanist and vocal coach Hal Schaefer is ...
Litchfield Jazz Festival 2009
by Marcia Hillman
Litchfield Jazz FestivalKent, ConnecticutJuly 31-August 2, 2009 For two and a half days this past weekend, jazz invaded Connecticut with the arrival of the 14th Annual Litchfield Jazz Festival. This year, in a new home on the Kent School grounds in Kent, Connecticut, this major musical event, hosted by WBGO broadcaster and jazz ...
Jazz Orchestras
by Nick Catalano
This excerpt appears in New York Nights: Performing, Producing and Writing in Gotham (IUniverse, 2008). In addition to the productions of the dance band shows, being a Performing Arts producer meant that I had the opportunity to present artists from every genre imaginable. I steadfastly tried to adhere to some sense of objectivity listening ...


