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Christian Scott: Rewind That

by Ken Franckling
Trumpeter Christian Scott has absorbed the essential elements of the great horn tradition of his native New Orleans, including the importance of stretching the music, just as so many before him have done, going back generations to Buddy Bolden, Joe King Oliver and Louis Armstrong and the legions who have followed. Rewind That, ...
Taylor Eigsti: Lucky To Be Me

by Ken Franckling
Fire and crisp delicacy go hand in hand on Lucky To Be Me, Taylor Eigsti's major label debut. It is clear that he loves rhythm shifts within a song--and from song to song. His teasing rearrangements of Giant Steps and Love For Sale are edgy and delightful. He then turns pop singer Björk's dark ballad I've ...
Joey DeFrancesco: Organic Vibes

by Chris M. Slawecki
Rooted in Philadelphia, the hometown of so many of his Hammond B-3 predecessors, Joey DeFrancesco knows soul-jazz organ grooves. And he seems to have studied their lessons well, as he's strung together the Down Beat Critics' Poll Best Hammond B-3 player awards the past four years running. DeFrancesco grooves these Organic Vibes in the ...
Karrin Allyson: Footprints

by Suzanne Lorge
Karrin Allyson marked the release of Footprints at the Blue Note in April--a subtle introduction for a great album. The twice Grammy-nominated vocalist typically turns out great albums, so in and of itself, this isn't the news. What sets Footprints apart is Allyson's keen understanding of the jazz instrumental classics from which the CD borrows: It's ...
Gary Burton: Next Generation

by Andrew Velez
Vibes virtuoso, composer, educator and five-time Grammy winner Gary Burton has played a pivotal role in furthering the careers of newcomers through the years. Among many others, John Scofield, Carla Bley and Pat Metheny come quickly to mind. I take my cue from Stan Getz, who often hired younger players to stay sharp," Burton has remarked; ...
Michael Bolton: Bolton Swings Sinatra

by Jim Santella
Michael Bolton would never have achieved the fame that he's garnered if he wasn't genuine. Sure, his sincere approach to singing takes him over the top. After all, he is an emotional performer. That red-faced, vein-protruding tightness comes with the territory, and it's brought him to the top of the pop, R&B and classical charts. He ...
Christian Scott: Rewind That

by Paul Ryan
The future of the trumpet in jazz appears to be in able hands. Wynton Marsalis may now be a veteran, but he's still relatively young at 44; the same can be said of Roy Hargrove, eight years his junior. Nicholas Payton has many releases under his own name and is a sought-after sideman, for example with ...
Taylor Eigsti: Lucky To Be Me

by Paul Ryan
To play with veteran jazzmen like Christian McBride and Lewis Nash at the tender age of 21, you have to have both talent and a good dose of confidence. Pianist Taylor Eigsti possesses both of these traits and then some, as his first album on Concord, Lucky To Be Me, indicates. McBride and Nash ...
Karrin Allyson: Footprints

by C. Michael Bailey
Jazz vocalist Karrin Allyson has one peer: Cassandra Wilson. Both women have impacted jazz vocals in the last decade, swerving the genre into interesting places. Allyson's most critically acclaimed release, Ballads (Concord, 2001), came after the release of six solid, if less received, releases for the label. This concept recording gave way to forays into sleek ...
Taylor Eigsti: Lucky to Be Me

by Ken Kase
It must indeed be a lucky thing to be Taylor Eigsti, a 21-year-old pianist who has already been performing for over a decade. After a handful of independent discs comes his Concord debut, Lucky to Be Me, a collection of originals, standards and unexpected interpretations featuring bassist Christian McBride, drummer Lewis Nash and guitarist Julian Lage.