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Noah Haidu: Slipstream
by Bruce Lindsay
Slipstream is the debut from New York-based pianist/writer Noah Haidu. Featuring an exceptionally talented quintet of musicians, it's a striking first album, full of superb, straight-ahead jazz. Haidu's compositions--he wrote all but one of the tunes--are strong on melody and characterized by a gentle and soulful swing. As a pianist, Haidu sounds equally ...
Peter Erskine / Bob Mintzer / Darek Oles / Alan Pasqua: Standards 2, Movie Music
by Edward Blanco
Standards hold a particular fascination for drummer Peter Erskine, as initiated through his Grammy-nominated Standards(Fuzzy Music, 2008). Unlike that first album--comprised primarily of old jazz standards--Standards 2, Movie Music focuses on songs that are considered standards from the realm of Hollywood movies. Featuring music from Gone With The Wind (1939), considered by many to be one ...
Bohuslan Big Band: Don't Fence Me In
by Bruce Lindsay
Some of the finest compositions in The Great American Songbook, one of Europe's most talented big bands and one of the best arrangers Britain has produced. Put them all together on one CD, and it doesn't disappoint. The Cole Porter songs on Don't Fence Me In are among the most familiar in popular music, but while ...
Noah Haidu: Slipstream
by Dan Bilawsky
What do slipstreams and music have in common? The simple answer is: flow. While some genres have turned their back on the idea of letting each piece of music flow in its own unique way, subscribing instead to digital quantizing and beat perfection, jazz isn't one of them. On his appropriately titled debut, Slipstreams, pianist Noah ...
Gene Ludwig: Love Notes of Cole Porter
by Dan McClenaghan
The Hammond B3 organ combo has always seemed like a working man's jazz group. Drums/guitar/organ groups, often with a saxophone, was a brand of music brought to popularity in the mid-fifties by Jimmy Smith, with interest in the B3 soul jazz sound exploding in the sixties with the work of Jimmy McGriff and Jack McDuff, and ...
February Forays
by Nick Catalano
February is one of those months when this New York Beat column could expand into a full periodical because of the plethora of jazz activity occurring in Gotham. I began my trek early in the month, when the city was buried in crystal mounds of snow from winter storms that had pounded the ...
Gene Ludwig: Love Notes Of Cole Porter
by Dan Bilawsky
The release of Gene Ludwig's Love Notes Of Cole Porter is a bittersweet event. While this collection of music shines a spotlight on one of the great, under-recognized organ talents in the world of jazz, it also marks the final recording from this mainstay of the Pittsburgh jazz scene. Ludwig passed away suddenly in the summer ...
Gene Ludwig: Love Notes Of Cole Porter
by Justin Vargo
Gene LudwigLove Notes Of Cole PorterBig O Records2011 Nearly two years prior to his untimely death in July of 2010, Pittsburgh organist Gene Ludwig recorded this tribute to composer Cole Porter. Thanks to the efforts of Ludwig's wife and the folks at Big O Records, Ludwig's final ...
Jane Stuart: Don't Look Back
by Dan Bilawsky
Jane Stuart is as complete a jazz singer as they come. With the timing of a tap dancer, the emotive responsiveness of a stage performer, a voice for the ages, and the experience to put it all together into one unified whole, Stuart deserves more exposure than she currently gets. To her credit, Stuart is able ...
John Williams: Guitar Recital
by AAJ Staff
John WilliamsGuitar RecitalDecca Records1996 (1959) In 1958, guitar virtuoso John Williams was a gifted teenager, and had studied with Andres Segovia. In that year he recorded an album of primarily Segovia-inspired (or themed) compositions from the growing classical guitar repertoire. The album, Guitar Recital (originally released on ...
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