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Alex Sipiagin: Generations
by Dan Bilawsky
In many ways, Woody Shaw was the dominant voice on the trumpet between Freddie Hubbard and the rise of Wynton Marsalis. Like Hubbard, Shaw could be an aggressive force, but his writing style, tone and angular soloing set him apart. His tragic and untimely death put him in the same category as fellow Blakey trumpeters Clifford ...
Take Five With John Tatum
by AAJ Staff
Meet John Tatum: Went though tutoring at North Texas State University, with Vaughn Roberts, and had a few lessons with JQ Whitcomb of Shanghai. I'm mostly self-taught and using the goal note theory of Shelly Berg. It works!Instruments Trumpet, flueglehorn, guitar, drums.Teachers and/or influences? Vaughn and JQ. I love Chris Botti's sweet ...
Take Five With Erik Jekabson
by AAJ Staff
Meet Erik Jekabson: Erik Jekabson is a freelance trumpet player, composer and educator who has recorded or performed with Illinois Jacquet, the Woody Herman Big Band, John Mayer, Galactic, Mark Turner, Brian Blade, and Nicholas Payton, among others. He has a Bachelor's of Music from Oberlin Conservatory of Music and a Master's of Music from the ...
Alex Sipiagin: Generations
by Mark F. Turner
Alex Sipiagin pays it forward with his eighth Criss Cross release, Generations, dedicated to the late Woody Shaw, a lesser celebrated but brilliant trumpeter who performed with artists including Anthony Braxton, Chick Corea, Eric Dolphy, Andrew Hill. A fiery stylist with perfect pitch and lyricism, Shaw was admired by peers and emulated by up-and-comers as Sipiagin ...
James Zollar: Zollar System
by Raul d'Gama Rose
It is an unfortunate fact that trumpeter James Zollar is nowhere near as well-known as he should be. But that may be about to change. Zollar Systems may be about to put Zollar in an orbit all his own. A genuine renaissance man of the horn, Zollar is a singular voice on the instrument that is ...
Dan Weiss: The Creative Absence of Egotism
by Lloyd N. Peterson Jr.
The first time drummer/composer Dan Weiss is heard, there can be a perception of something inherently wrong with the music. It slowly creeps up--like a chill on a cool morning, just as the sun is rising over a misty ridge. Waves of lush pastel colors pass over and around in impassioned washes of rhythm and elements ...
Introducing Booker Little
by Robert Levin
[Editor's Note: This interview last appeared in Jazz & Pop, 1970. Little died in 1961, just a few months after it was originally published in Metronome.] Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings and ...
Albuquerque Jazz Orchestra Rekindles Cuban Fire Suite
by Jack Bowers
On June 5, 2010, with the temperature in Albuquerque hovering around 100 degrees, the Albuquerque Jazz Orchestra couldn't have wished for a better time to perform Johnny Richards' incendiary Cuban Fire suite, first recorded in 1956 by the Stan Kenton Orchestra. The sold-out concert was the opening event in the city's annual Jazz and Blues Under ...
Take Five With Tyler Hornby
by AAJ Staff
Meet Tyler Hornby:Tyler started drumming at age ten, honed his artistry in high school big bands and experimental jazz combos, and has since blossomed into one of Canada's most innovative and sought-after young drummers. Hornby has also become a gifted composer by expanding his musical tastes, studying the craft with ...
Take Five With The Britton Brothers
by AAJ Staff
Meet The Britton Brothers: Ben and John Britton, said to be “extremely talented" by the likes of Chris Potter, have entered the jazz scene confidently with their debut album, Uncertain Living. With a collective approach developed throughout years of playing together, they have arrived to a music that is forward thinking and invites a wide range ...
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