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Brian McCarthy: Codex
by Doug Collette
Whether saxophonist Brian McCarthy's third full-length studio album, Codex, was specifically intended as such, this comparatively simple, bracing quartet project is a refreshing change of pace from its more involved predecessor, The Better Angels of Our Nature (Truth Revolution, 2017). On the surface at least seemingly far less ambitious, the album begins in a ...
Roxy Coss: Standing Out
by Paul Rauch
All About Jazz: You have recently released a new CD, Chasing the Unicorn (Posi-Tone, 2017), just a year after the release of Restless Idealism (Origin, 2016). Albums are like a snapshot of a timeframe, how has that musical image changed in a year? Roxy Coss: More back story is it was recorded more than ...
Champian Fulton & Scott Hamilton: The Things We Did Last Summer
by Dan McClenaghan
Sometimes it's destiny. In the case of pianist/vocalist Champian Fulton: Her father, Stephen Fulton, is a jazz trumpeter who, early on, exposed his daughter to the sounds of classic jazz, to the exclusion of the then current popular sounds. Also, legendary trumpeter Clark Terry, Stephen's friend, hung around the Fulton house from Champian's earliest days, and ...
Brian McCarthy Nonet: The Better Angels of Our Nature
by Karl Ackermann
Brian McCarthy's The Better Angels of Our Nature shares some common ground with Ted Nash whose Big Band collection Presidential Suite (Eight Variations on Freedom) (Motema Music, 2016) explored musical interpretations of great historical speeches including those of John F. Kennedy, Franklin D. Roosevelt, Ronald Reagan and Lyndon B. Johnson. McCarthy's focus is inspirited by American ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
David Finck: The Bass, Scatting Offenses, and the Back Hoe
by Dr. Judith Schlesinger
David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...
Champian Fulton: Speechless
by Dan Bilawsky
Speechless is a date that may be best classified as a centrist statement, but it's far from the norm for Champian Fulton. While many have come to know and admire Fulton for her arresting vocals and piano work, both usually given in service to Great American Songbook classics, she's not conforming to those expectations here. For ...
Lew Tabackin: A Life in Jazz
by Rob Rosenblum
Tenor saxophonist and flutist Lew Tabackin is known as a forceful and dynamic soloist, both in small group and big band settings. His views of the jazz music scene, both past and present, are equally compelling. Recently, I had the opportunity to spend several hours with Mr. Tabackin for this interview. Rather than insert ...
Monty Alexander: Looking Back
by Peter Jurew
Monty AlexanderJazz Standard New York, NYFebruary 1, 2017 A lot has changed since I started covering the New York beat for All About Jazz in mid-2016. In that time, we have witnessed epic changes in our city, our country, our world--changes that are already affecting our culture, including and perhaps ...
Jazz Education: The Next Generation, Part 2
by Karl Ackermann
Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...
