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Chuck Berry
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Inspired by the electrified Delta blues of Muddy Waters, the wild showmanship of T-Bone Walker and Guitar Slim, the smooth crooning of Nat “King” Cole, and the storytelling of Hank Williams, Chuck Berry scrambled his influences and came out with a concoction that was uniquely his own. The screaming, overdriven guitar intro to “Maybelline,” Berry’s Chess Records debut, tells the story, walloped with the power of the blues, honed to perfection. Berry’s Chess sides sound fully formed, solid, the raw power of a band of incredible musicians led by a true musical visionary. Even today, they come howling out of speakers like pure energy. Loose, swinging, grooving, Berry’s songs are nearly perfect. The classics he penned are too many to mention
Rolling Stones: Black and Blue (2CD)
by Doug Collette
Forgetting for the moment any revisionism applied to the Rolling Stones album Black & Blue (Rolling Stones Records, 1976), the iconic British band was in more than a little disarray when it repaired to a variety of studios for recording sessions beginning roughly two years prior to issue. Still, retrospect applied via the reissue(s) of the ...
The Session Man: Nicky Hopkins
by Doug Collette
Nicky Hopkins The Session Man Alan Fergurson2025 The very title of Mike Treen's film The Session Man: Nicky Hopkins understates the singular stature of the documentary's subject. Nicky Hopkins was a British keyboardist/composer who played on over two-hundred vintage era recordings by genuinely iconic musical figures of contemporary rock like the ...
Dave Edmunds: Swan Songs: The Singles 1976-1981
by Doug Collette
Extended as is Joe Marchese's essay in the twelve-page booklet enclosed with Swan Songs, it is nonetheless as breezy and free-flowing as the content spread across the two compact discs. Consisting of cuts originally issued 45-rpm singles on the label imprimatur of Led Zeppelin (referenced in the main title of the package), the cumulative impact of ...
John Lee Hooker: The Best of Friends
by Doug Collette
In contrast to his often (always?) irascible peer Chester Burnett, aka Howlin' Wolf, John Lee Hooker has long been amenable to collaborations, reciprocal and otherwise. Bonnie Raitt, Los Lobos, Charlie Musselwhite and Carlos Santana, among others, appeared on The Healer (Chameleon,1989) and all those artists also populate the credits for The Best of Friends. (Santana, the ...
Chance Hayden: Baritone Gold
by Geno Thackara
Someone with a musical personality as bright as Chance Hayden's does not need much of a reason to throw a party. If past recordings are anything to go by, the fellow is already willing and eager to kick off a fun rocking jam session at the drop of a hat. This particular occasion was sparked by ...
Interruptions On A Christmas Eve
by Arthur R George
The small restaurant and occasional music bistro was closed for Christmas Eve. Its owner Ernie DiVitale had darkened the room. There was light enough, from the Christmas tree in the corner and spilling in from a lamp over the prep area in the kitchen, to relax with his wife Veronica at a back table over cappuccini ...
Johnny Vidacovich: Magnet In The Middle
by Thomas Cole
The ever changing cast of the Johnny Vidacovich Trio defies the meaning of that word--trio . Historically, jazz trios with a drummer in the middle have included such notables as Art Blakey, Gene Krupa and Max Roach but none of those groups changed cast members on a weekly basis or deviated very far from what they ...
Grateful Dead: Multiple Metamorphoses
by Doug Collette
The ongoing Grateful Dead archival series, Dave's Picks, is becoming more fascinating as it evolves. Together and apart, Volumes 46 and 47 are cases in point: the former comes from that early flashpoint of inspired material and musicianship epitomized (but not wholly encapsulated) by Europe 72 (Warner Bros., 1972), while the latter takes place in the ...
RFK Stadium, Washington, D.C. 6/10/73
by Doug Collette
As much or more so than any previously released new release or archive package, the cover art of Grateful Dead's RFK Stadium, Washington, D.C. 6/10/73 accurately (and vividly) reflects the nuances of the music behind the enticing graphics. In a pastel green and pink/orange color scheme of both matt and glossy finish, Masaki Koike's intricate designs ...
