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John Coltrane: A Love Supreme - Live In Seattle
by Chris May
A Love Supreme: Live In Seattle comes from a gig at The Penthouse in October 1965. The recording, by a septet, is a radical reading of : John Coltrane's suite which has only previously been heard by friends and students of saxophonist and educator Joe Brazil, who taped it and who, few days earlier, had played ...
Matthew Stevens: Pittsburgh
by Chris May
Good things were promised by New York-based guitarist Matthew Stevens' fusionesque sophomore album, Preverbal (Ropeadope, 2017). It was made with a kicking trio comprising the exceptional bassist Vicente Archer, a longstanding associate of Robert Glasper, and drummer Eric Doob, whose credits include organist Dr Lonnie Smith and, alongside Stevens, trumpeter Christian Scott. In the normal course ...
On Our Own Clock: On Our Own Clock
by Chris May
The fourteen-strong international ensemble which recorded On Our Own Clock includes, from London, keyboard player Danalogue from Shabaka Hutchings' The Comet Is Coming and tuba player Theon Cross from Hutchings' Sons Of Kemet; from Dakar, percussionist Yahael Camara Onono and kora player Tarang Cissoko; and, from Johannesburg, keyboardist Zoe Molelekwa, bassist Tebogo Sedumede, trombonist Siya Makuzeni ...
Joe Harriott Quintet: Free Form & Abstract Revisited
by Chris May
A tiny island, Jamaica has punched far above its weight musically. Dub and reggae are the primary manifestations, but the island has also produced a disproportionately large number of notable jazz musicians, many of whom left during the late 1940s and 1950s to relocate to Britain, Jamaica's so-called mother country during the colonial era. Alto saxophonist ...
Fire Music: The Story of Free Jazz
by Chris May
Fire Music: The Story of Free Jazz Submarine Deluxe 2021 There is much to like about this lovingly put together history of the so-called free jazz of the 1960s and 1970s. Over a decade in the making, the film, directed by self- declared genre obsessive Tom Surgal, is a compilation ...
Mark Kavuma & The Banger Factory: Arashi No Oto
by Chris May
London-based trumpeter and composer Mark Kavuma was last seen in this parish in July 2019. At the start of that month, Kavuma released his second album with his nonet, The Banger Factory. A couple of weeks later, he led a quintet on the floor of the Barbican Art Gallery, performing Thelonious Monk's Brilliant Corners (Riverside, 1956) ...
Marcin Wasilewski Trio: En Attendant
by Chris May
The Marcin Wasilewski Trio's seventh ECM album traverses material by such disparate composers as J.S. Bach, Carla Bley and The Doors and brings it all together in a seamless package which also includes three spontaneously created group improvisations. It is a beauty. Pianist Marcin Wasilewski, bassist Slawomir Kurkiewicz and drummer Michal Miskiewicz have ...
Terence Blanchard featuring The E-Collective: Absence
by Chris May
Trumpeter Terence Blanchard and the E-Collective's Absence is dedicated to saxophonist and composer Wayne Shorter, who for health reasons has been obliged to retire from performing, at least temporarily. Some people celebrating their 88th birthday, as Shorter did on August 25 2021, might not welcome being the dedicatee of an album with such a title. They ...
Gustafsson / McPhee / Håker Flaten / Nilssen-Love: The Thing She Knows...
by Chris May
The Hat Hut and ezz-thetics family of labels is in 2021 just three years shy of its fiftieth anniversary. This is a remarkable, perhaps unique, achievement for an independent company which has concerned itself exclusively with the avant-garde end of jazz and conservatoire music from the get go, and has done so with the highest (for ...
Flukten: Velkommen Håp
by Chris May
The first thing that may strike you about Norwegian quartet Flukten's debut album is the sleeve art. This shows a naked man with his back to the camera, limbs spread wide and with something dangling between his legs. It looks like a penis, but smaller. Flukten (in English the name means The Escape ...
