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3

Article: Multiple Reviews

Guitar Forms 2024

Read "Guitar Forms 2024" reviewed by Jerome Wilson


These are a few recent releases where guitars have a featured role. Jeanfrancois Prins Blue Note Mode GAM Records 2024 Guitarist Jeanfrancois Prins is from Belgium but his music comes straight out of the American jazz tradition. He recorded this album at the legendary Rudy Van Gelder studio ...

Album

The Trio Book

Label: JMarq
Released: 2023
Track listing: Eiderdown; Amethyst Secrets; N.R.W.; D Minor Mint; Mirrors; West Coast Blues; Granada

3

Article: Radio & Podcasts

Wayne Shorter, Vince Mendoza, Lonnie McFadden & Kristin Korb

Read "Wayne Shorter, Vince Mendoza, Lonnie McFadden & Kristin Korb" reviewed by Joe Dimino


We kick off a new 795th Episode of Neon Jazz with a powerful Denmark-based, American-born bassist and singer in Kristin Korb with material created during the COVID era. From there we hear from vocalist Diane Schuur, who was one of the first real experiences Kristin had in live jazz. We also celebrate a handful of esteemed ...

Album

Not Quite Yet

Label: 122 Myrtle Records
Released: 2022
Track listing: Born to Be Blue; Someone To Light Up My Life; Make Me Rainbows; The Angels Have Gone; Remind Me; No One Ever Tells You; Invitation; The Island; Taking a Chance on Love; On A Wonderful Day Like Today; That's All; Searching; I Remember; No Plan.

Album

Lucky to Be Me

Label: Paul Langford Music
Released: 2022
Track listing: Cry Me a River; Beautiful Love; The Way You Look Tonight; Here's to Life; Chega de Saudade; Lucky to Be Me; Estate; A Kiss to Build a Dream On; Embraceable You; I Wanna Be Around.

12

Article: Album Review

Leah Crane: Lucky to Be Me

Read "Lucky to Be Me" reviewed by Jane Kozhevnikova


Hailing from Indianapolis and based in Chicago, versatile singer Leah Crane released Lucky to Be Me in 2022 after working on it since 2019. Joining her on the album is Paul Langford, a Chicago-based singer, arranger, keyboardist, producer and conductor. The album also features Rob Dixon on saxophone, Daniel Duarte on guitar, Shawn Sommer on bass ...

30

Article: Album Review

New Standard Jazz Orchestra: Waltz About Nothing

Read "Waltz About Nothing" reviewed by Jack Bowers


Since trumpeter Rob Parton's superlative JazzTech Big Band left the scene more than a decade ago, Chicagoans have been left to wonder when, or even if, another ensemble of that caliber would arrive to fill the void left by its departure. In 2020, their hopes were realized with the formation of the New Standard Jazz Orchestra, ...


About Chris Madsen

Results for pages tagged "Chris Madsen"...

Musician

Chris Madsen

Jazz saxophonist Christopher Madsen is one of the most in-demand figures in the Chicago jazz world as a performer, composer, and pedagogue.  A former faculty member at Northwestern University, the University of Illinois at Chicago, and Midwest Young Artists, he currently coordinates the jazz program at Loyola University Chicago. He is a sought-after jazz clinician, adjudicating at jazz festivals and offering workshops to ensembles of all ages and levels from across the globe. He is a Vandoren and Conn-Selmer Performing Artist, member of the Fulbright Specialist Program roster, Jazz Education Network, the National Educator’s Association, and the National Association for Music Education. Madsen serves on the Education Committee for the Jazz Education Network and has been featured in Jazziz Magazine (2005), the Jazz Spotlight for artsamerica.org (2012), and has been interviewed for saxplaying.com (2018) and the Chicago Jazz Magazine (2019). Madsen has also contributed jazz articles to The Instrumentalist magazine and been interviewed on several radio broadcasts about jazz history and his performing career.

Album

Bonfire

Label: Outside in Music
Released: 2019
Track listing: Chris Madsen: saxophone; Stu Mindeman: piano; Clark Sommers: bass; Dana Hall: drums.

2

Article: Album Review

Chris Madsen: Bonfire

Read "Bonfire" reviewed by Peter J. Hoetjes


The winds of change have been blowing over the record business for over two decades, altering the ways in which consumers listen to music. With the rise of internet-based services such as Spotify and YouTube, the prospect of an expensive trip to the recording studio has soured for many jazz musicians. Despite the fact that the ...


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