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Randy Napoleon: Common Tones
by Chris M. Slawecki
Randy Napoleon may represent the new school of Detroit guitar players emerging from the lineage of Kenny Burrell and (Motown) Funk Brothers Dennis Coffey and Joe Messina, but his approach and sound on Common Tones are old school for sure. His fifth set as a leader (on the Detroit Music Factory label) collaborates across four generations ...
Lakou Mizik: HaitiaNola
by Chris M. Slawecki
HaitiaNola is proof that lemonade is possible when life hands you lemons. Ten-piece roots-music troupe Lakou Mizik came together to help reassemble Haiti's musical culture in the wake of the 2010 earthquake. They recorded their debut in 2016 and then embarked on an international tour, including a performance at the 2017 New Orleans Jazz & Heritage ...
Jazz at Lincoln Center Orchestra with Wynton Marsalis: Big Band Holidays II
by Chris M. Slawecki
Jazz at Lincoln Center Big Band Holiday concerts, featuring the JALC Orchestra with Managing and Artistic Director Wynton Marsalis and guests, are a welcome addition to New York City holiday jazz traditions. Big Band Holidays II presents the second set of live recordings from these concerts beginning from 2015, the year that the JALC Orchestra released ...
Back in the Day, Around the World
by Chris M. Slawecki
Brooklyn Funk Essentials Stay Good Dorado Records 2019 Back in the day, jazz bands like Roy Ayers' Ubiquity and soul bands like the Ohio Players played more than jazz and soul. Jazz and soul were their main ingredient, but only one ingredient among others stirred in ...
Manu Katche: the scOpe
by Chris M. Slawecki
Manu Katché's tenth album as a leader, the ScOpe encompasses modern and ancient music, tribal and global music, and illustrates why he is not only one of the world's best drummers, but much more. Katché entered the Paris Conservatory as a pianist but switched to percussion as his studies progressed; his mature style eventually ...
Grupo Fantasma: American Music Vol. VII
by Chris M. Slawecki
The thirteen new tracks on American Music Vol. VII celebrate Grupo Fantasma's first studio album in five years as well as the nineteenth anniversary of Austin's preeminent Tex-Mex party band. In several ways, Vol. VII sounds like much of their previous music: This Grupo can spice up and rock an energetic, celebratory party sound ...
Eumir Deodato: Os Catedraticos 73
by Chris M. Slawecki
In 1973, Eumir Deodato was riding high upon the GRAMMY® Award-winning success of “Also Sprach Zarathurstra (Theme from 2001: A Space Odyssey)," the Brazilian keyboardist's jazz-rock fusion take on Richard Strauss' classic, from his previous release Prelude (CTI, 1972). Deodato's next move, Os Catedráticos 73 doesn't mess with that successful formula but throws a ...
Club d'Elf: Night Sparkles
by Chris M. Slawecki
On December 16, 2011, bassist and bandleader Mike Rivard and the rest of the floating Club d'Elf instrumental ensemble assembled at the Lizard Lounge in Cambridge (MA), for their regular gig at the regular location in the extended live residency that the band began at the Lounge back in 1998 (and continues to this day). Guest ...
DSC Band: Monk Time
by Chris M. Slawecki
MonkTime is Leon Lee Dorsey's first album as a leader in twenty years and in this case, patience truly is a virtue: The bassist's tribute to the legendary composer and pianist simultaneously debuts Dorsey's new band, a trio with guitarist Greg Skaff and drummer Mike Clark, the standard for contemporary jazz-rock and jazz-funk drumming who sticks ...
Dave Bass: No Boundaries
by Chris M. Slawecki
In 2015, Dave Bass retired from the Office of the Attorney General of California after twenty years of service and returned to his first professional love—playing the piano, a career that a wrist injury forced him to abandon about thirty years ago. No Boundaries is the third release, and second for Whaling City Sound, in Bass' ...
