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Article: Liner Notes

David Hazeltine: Inversions

Read "David Hazeltine: Inversions" reviewed by C. Andrew Hovan


It's often said that those with enviable skills make the most sophisticated actions look easy. Be it glass blowing or ice-skating, what appears to be within the grasp of the novice often involves an underlying complexity not readily apparent at first. The same could be said of higher forms of music such as classical and jazz. ...

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Article: Liner Notes

David Hazeltine: Blues Quarters, Vol.2

Read "David Hazeltine: Blues Quarters, Vol.2" reviewed by C. Andrew Hovan


A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest ...

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Article: Radio & Podcasts

Singers: Fay Victor, Anita O'Day, Kurt Elling and More

Read "Singers:  Fay Victor, Anita O'Day, Kurt Elling and More" reviewed by Jerome Wilson


This show features vocalists as both band leaders and featured performers with other musicians. In the first category, there are Fay Victor and Anita O'Day among others. In the second, we have Kurt Elling with the Charlie Hunter Quartet and Becca Stevens with Ambrose Akinmusire plus several more. Playlist Henry Threadgill Sextett “I Can't ...

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Article: Radio & Podcasts

New All Star Compilation To Benefit The Musician's Emergency Fund, Live Oscar Peterson and Remembering Margo Guryan

Read "New All Star Compilation To Benefit The Musician's Emergency Fund, Live Oscar Peterson  and Remembering Margo Guryan" reviewed by Mary Foster Conklin


This broadcast presents a 1987 Oscar Peterson concert recording, a benefit for the Jazz Foundation's Musician's Emergency Fund, new releases from Alex Hamburger, Kristen R. Bromley plus a single from Janis Ian, with birthday shoutouts to Nioka Workman, Holli Ross, Johnny Mercer, Diana Krall, Sheila Jordan and more. In the first hour, a remembrance for singer/songwriter ...

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Article: Take Five With...

Take Five with Will Lyle

Read "Take Five with Will Lyle" reviewed by AAJ Staff


Meet Will Lyle Born in Southern California, Will began studying cello when he was three and also played drums, guitar, piano and percussion, taking up the electric bass at the age of 12. “I had aspirations to become a producer and I originally went to Berklee for musical production, but during my freshman year I heard ...

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Article: Album Review

Stan Kenton and His Orchestra: In a Lighter Vein

Read "In a Lighter Vein" reviewed by Jack Bowers


Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz ...

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Article: Radio & Podcasts

New Releases and a Celebration of Joni Mitchell

Read "New Releases and a Celebration of Joni Mitchell" reviewed by Mary Foster Conklin


The autumn harvest of new releases continues with recordings by Alan Broadbent, Brandi Disterheft, Joel Ross, The Royal Bopsters, Mary Halvorson's Code Girl, Richard Baratta, Ian Hendrickson-Smith, Rebecca Hennessy, Tom Oren and Fred Hersch, with birthday shoutouts to Lauren Henderson, Sarah Jerrom, Kurt Elling, Patricia Barber, Kitty Margolis, Chris Connor and as always, Joni Mitchell. Thanks ...

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Article: Multiple Reviews

Two Twin-Tenor Duos

Read "Two Twin-Tenor Duos" reviewed by Jerome Wilson


The idea of two tenor saxophonists playing together has a long, storied history in jazz through pairings like Dexter Gordon and Wardell Gray, Gene Ammons and Sonny Stitt, and Zoot Sims and Al Cohn. Such duos have become harder to find in recent years but here are two newer examples. Jeff Rupert / ...

Results for pages tagged "Chris Connor"...

Musician

Chris Connor

Born:

Chris Connor has won every conceivable critical and popular accolade in her half century reign as one of the most gifted and distinctive vocalists in jazz history. Born in 1927 in Kansas City, Missouri, Connor studied clarinet, but her career direction was clear at an early age. “I always knew I wanted to be a singer,” she said, “I never wanted to be anything else.” After completing her schooling, she took a secretarial job while commuting on weekends to the University of Missouri to perform with a Stan Kenton-influenced college jazz band. An admirer of Kenton singers Anita O’Day and June Christy, Connor recalls, “I had my sights set on singing with Kenton.” Frustrated by the lack of vocal musical opportunities in her hometown, Connor pulled up stakes and headed east in 1949

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Article: Profile

The Very Singular Mr. Ran Blake

Read "The Very Singular Mr. Ran Blake" reviewed by Duncan Heining


There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...


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