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Damani Phillips: The String Theory
by Victor Verney
Damani PhillipsThe String TheorySelf Produced2010 The idea of adding strings to a jazz combo has long been a divisive issue among the music's aficionados. It's often disparaged by many purists as a commercial sell-out, similar to the “fusion" concept of marrying jazz with rock. One self-proclaimed hard ...
Justin Kauflin: Humble Beginnings
by Marshall Taylor
The beauty of music lies in its subliminal spirituality. Religious or not, few can argue the effects of music on the human emotions and how it impacts our perception of things beyond what is skin-deep. For 24 year-old Justin Kauflin, a New York-based pianist notable for his work with Jae Sinnett, and for ...
New СD "Quasipsychedelic" by Roman Miroshnichenko: “A different kind of ride...”
"Let me take you on a vertical trip of the mind, a musical fantasy of melodies that will wrap your body and soul in harmonies and instrumental sounds without voice. Allow the melodies to seduce you to go further and further away from all the worries of your day to day life. I'll give you some ...
Corea, Clarke & White: Forever
by John Kelman
As successful as its massive 2008 world tour was--stopping at the Ottawa Jazz Festival, and yielding both a live CD (Returns) and DVD (Returns: Live at Montreux 2008) from Eagle Entertainment the following year--it was patently clear that Return to Forever couldn't continue with guitarist Al Di Meola. It was, however, equally certain that RTF's remaining ...
Roberta Piket: Making a Difference
by Victor L. Schermer
Roberta Piket is a jazz pianist, composer, and arranger with an exceptional range of expression. In the same tune or performance, she moves fluidly between bebop, hard bop, blues, soft and mellow, up-tempo, contrapuntal, and advanced harmonic motifs, making it all come together in meaningful, coherent statements of ideas and emotions. She thinks hard when she ...
Miles Davis: Bitches Brew Live
by Doug Collette
Bitches Brew Live documents Miles Davis, as he moved off the cusp of acoustic and electric jazz. The hour-long disc contains two live performances that constitute concert corollaries to the studio albums of their time, with which The Man With The Horn revolutionized modern jazz. The three recordings from the Newport Jazz Festival in ...
Hubert Laws: Flute Virtuoso and NEA Jazz Master
by Greg Thomas
After James Moody and Frank Wess established the flute as a solo jazz instrument in the 1950s, and Herbie Mann popularized it in the 1960s, the musician that has become most identified with virtuosic flute performance in jazz is Hubert Laws, who became a recipient of the National Endowment for the Arts (NEA) Jazz Masters Fellowship ...
Stanley Clarke: Path Maker
by Esther Berlanga-Ryan
Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...
Eldar's "Three Stories" Coming April 5
Since signing with Sony Masterworks at the age of 17, the young pianist Eldar has worked tirelessly on the road and in the studio to deepen his exploration of the traditions of jazz: bebop, post-bop and beyond. With the April 5th release of Three Stories, his first solo recording on Masterworks Jazz, Eldar pays homage to ...
Grammy Award-Winning Bassist Stanley Clarke Interviewed at All About Jazz
When bassist Stanley Clarke won the Grammy Award for Best Contemporary Jazz Album, last week, for The Stanley Clarke Band (Heads Up, 2010), it was particularly meaningful, given he was up against everyone from fellow fusion god John McLaughlin to young up-and-comer Trombone Shorty. But while this particular win has great significance for the bassist who ...
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