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A dialogo con Alessandro Galati
by Neri Pollastri
Alessandro Galati è un pianista fiorentino che può vantare una carriera estremamente ricca di esperienze in direzioni anche molto diverse -come testimoniato dai nomi di alcuni dei più noti musicisti con cui ha collaborato in modo continuativo: Kenny Wheeler, Arild Andersen, Dave Liebman. Oggi è possibile racchiudere idealmente la sua esperienza artistica nel ...
Charlie Shavers: Blue Stompin'
I like measuring jazz trumpeters on the heat scale. Imagine Chet Baker and Bix Beiderbecke all the way over on the cool left end and guys like Freddie Hubbard and Woody Shaw on the other end. You can almost plot all trumpeters along this line. In the case of Charlie Shavers, I'd probably put him to ...
Ferdinando Argenti: Look For The Silver Lining
by Roger Farbey
Ferdinando Argenti, who originally hails from Pisa in Italy but now resides a few miles outside of Boston, is a musician of diverse talent, not just in his piano playing and singing, but also in his compositional skills. The opener Chick Corea's “Friends" is an homage to its composer, replete with sprightly, florid lines played at ...
Henry Darragh: Too Much Monday
by C. Michael Bailey
My introduction to Houston Jazz came with the receipt of Jacqui Sutton's Billie & Dolly (Toy Blue Typewriter Productions, 2010). A few short months later, I received Henry Darragh's Tell Her for Me (Self Produced, 2011). When I compared the musical personnel for each of these recordings, a light came on in my pea brain alerting ...
Art Lillard's Heavenly Big Band: Certain Relationships
by Jack Bowers
Drummer Art Lillard's Heavenly Big Band continues to spread sunshine and happiness on Certain Relationships, an album recorded in three sessions spanning the half-dozen years between 2005-2011. Of the fifteen selections, nine are vocals --by Pete McGuinness, Hilary Gardner, Andrea Wolper, Mary Foster Conklin or Dominique Eade. In Lillard's optimistic eyes, even the blues are gladsome ...
Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience
by Bill Dal Cerro
The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Michelle Lordi: Drive
by Victor L. Schermer
It's difficult to conceive how this wonderful album of restrained and subtly rendered ballads came to be called Drive, a term which leads the listener to expect a package of revved up swing or rock. However, you don't have to be a cryptologist to realize that it comes from the last track, “Drive," which contains the ...
Roberto Magris Trio & Herb Geller: An Evening with Herb Geller & the Roberto Magris Trio: Live in Europe 2009
by C. Michael Bailey
Italian pianist and bandleader Roberto Magris has been on dual trajectories in the past number of years. The first is his recent study of hard bop as evidenced by his recent J-Mood releases including Mating Call (2010), Morgan Rewind: A Tribute to Lee Morgan Vols. 1 & 2 (2012, 2013) and One Night in With Hope ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
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