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Ron Miles: The Best Of The Denver Jazz Doyen
by Ian Patterson
Ron Miles left the planet all too soon, but the Denver cornetist and trumpeter has left a lasting mark, both in terms of the music he made and in the people whose lives he touched. This list, a guide to ten of Miles' most significant recordings as both leader and as a sideman, reflects his playing ...
Francesca Han: Exuding Honesty
by Ian Patterson
Pianist and composer Francesca Han's duo album with Ralph Alessi, Exude (Hanji, 2022), is a timely reminder of the Korean's talent as an interpreter, an improvisor and as a creative force. It is a beautiful, conversational album, open to multiple influences. Classically trained, Han discovered jazz while studying in her native Seoul. It was ...
Thelonious Monk Quartet: Live Five Spot 1958 Revisited
by Chris May
What are the first two names that come to mind on reading the phrase 'Thelonious Monk's saxophonist'? Chances are they will be John Coltrane or Charlie Rouse. The runner-up could be Sonny Rollins and somewhere further down the field might be Johnny Griffin. Griffin deserves to move up the list. The hard blowing, ...
Meet Abe Goldstien
by Tessa Souter and Andrea Wolper
You can have your “Dry Cleaner From Des Moines"--we're putting our money on our latest jazz Super Fan from Des Moines. Former adman Abe Goldstien lists his passions as his wife, his two children, and jazz. Retired though he may be, Abe doesn't show any signs of slowing down, keeping up a busy schedule volunteering for ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
Ugly Beauty: Jazz in The 21st Century
by Philip Freeman
The following is an excerpt from Chapter 1, “JD Allen: Just Keep Going" from Philip Freeman's Ugly Beauty: Jazz in The 21st Century (ZerO Books, 2022). Queens, New York seems purposely designed to confuse travelers. It's January 2, 2020, a brisk but sunny day, and I'm to meet saxophonist JD Allen at Samurai ...
Charlie Ballantine: Reflections/Introspection: The Music Of Thelonious Monk
by Chris M. Slawecki
Reflections/Introspection... follows-up guitarist Charlie Ballentine's Life is Brief: The Music of Bob Dylan, the guitarist's tribute to another (and very different type of) iconoclastic modern composer and one of the best albums of 2018. He absolutely bounces through this double-LP (one trio, one quartet) on a merry joyride through the compositions of “the onliest Monk."
Rediscovery and Re-Creation, and an NYC Farewell
by Chris M. Slawecki
Greg Abate Magic Dance: The Music of Kenny Barron Whaling City Sound 2021 Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the ...
Jazz vs. Classical Funding
by Nicholas Krolak
Throughout jazz history there has been a desire among the jazz community to see the music respected on the same level as western classical music. It is after all, jazz is America's classical music. As Dr. Billy Taylor explains, “Classical music must be time-tested; it must serve as a standard or model; it must have established ...
Clifford Brown’s Trumpet and One Summer in Atlantic City
by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
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