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A Different Drummer, Pt. 6: Iberian Beats – Jorge Rossy & Pedro Melo Alves
by Karl Ackermann
The music of the Iberian Peninsula is as rich and diverse as any in the world. Its influences are many yet it developed in the pre-global bubble of geography. Early music of the peninsula was impacted by much of the known world in the primeval period and the Middle Ages. The peninsula was isolated by the ...
Piet Verbist: Secret Exit to Another Dimension
by Dan McClenaghan
Belgian bassist Piet Verbist has featured saxophonists on each of his previous Origin Records albums—bass, drums and a horn or two seems to be his way of working. With Secret Exit To Another Dimension, his fifth Origin outing, he pares things down to the trio format, creating a distinctive guitar/bass/drums sound that has a strikingly modern ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Greg Abate: Magic Dance: The Music of Kenny Barron
by Chris M. Slawecki
Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the double-disc Magic Dance: The Music of Kenny Barron. But the best thing about it is that the leader, flutist and saxophonist Greg Abate, ...
Irreversible Entanglements: Open The Gates
by Chris May
Irreversible Entanglements is the sort of band that gives poetry-and-jazz a good name. The third full-length album from the Philadelphia/NY/DC collective fronted by poet Camae Ayewa aka Moor Mother ploughs the same rich furrow as before: groove friendly semi-free jazz which dissects diasporic Black history and lays out future possibilities. The band's bloodline ...
Brad Felt: The Dana Sessions
by Kyle Simpler
Although jazz music continuously evolves, many of its performers stick to a fairly traditional set of instruments. There are plenty of recordings featuring saxophones, trumpets, pianos, or guitars, but how often do you see a jazz record featuring a euphonium? Brad Felt's The Dana Sessions: Duets With John Dana, showcases the possibilities of this often overlooked ...
Rediscovery and Re-Creation, and an NYC Farewell
by Chris M. Slawecki
Greg Abate Magic Dance: The Music of Kenny Barron Whaling City Sound 2021 Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the ...
Fit As A Fiddle: How The Violin Helped Shape Jazz, Part 1
by Peter Rubie
Part 1 | Part 2 That was then... Considering jazz is an art form that mostly makes it up as it goes along, it's ironically appropriate that printed records--i.e., data--from the days of its birth are decidedly sparse. We know, at least, that during the 18th and 19th Centuries in New Orleans white plantation ...
Gaga, Bennett, The Count, Presidents: Harold Jones Drums Across History
by Arthur R George
When Tony Bennett stepped past the twilight of Alzheimer's onto the stage of Radio City Music Hall in New York City in August 2021, drummer Harold Jones was there ready for him, as he had been for Bennett over the past seventeen years, in a friendship going back to 1968. Lady Gaga, the popstar recreated as ...
Cory Weeds With Strings: What Is There To Say?
by Pierre Giroux
Tenor saxophonist Cory Weeds continues to search for new ways to explore and expand his personal musical horizons. In the release What Is There To Say?, Weeds looks to the expression “everything old is new again" and delivers an album backed by a fulsome string section reminiscent of sessions that both Charlie Parker and Bobby Hackett ...
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