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Anthony Braxton Quartet: (Santa Cruz) 1991 1st Set
by Mark Corroto
Decoding the music of Anthony Braxton might be a lifetime's mission. With his symbol system compositions and grand unification theories, even the trained ear admits to perplexity and a certain ignorance. Braxton has never stopped, nor slowed to explain himself to listeners. There are moments of insights though, in his performances. One can glean his approach ...
Eivind Aarset: The Edge Between Intimacy and Courage
by Adriana Carcu
Guitarist and composer Eivind Aarset is one of the most imaginative exponents of the spirit of open diversity that defines and differentiates the Nordic Jazz soundscape. Coming along a progressive-rock line of influence enriched by a world music heritage and refined by electronics, his music emanates the radiant energy of an unfolding white lotus flower that ...
Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
Pat Martino Trio at Bucks County Community College
by Victor L. Schermer
Pat Martino Trio Kevin and Sima Zlock Performing Arts Center Bucks County Community College Newtown, PA April 23, 2015 In the 1960s and 70s, spurred on by the support he received from the great Les Paul, a youthful guitarist Pat Martino evolved his unique style of controlled intensity, “fat" ...
12 Points 2015
by Ian Patterson
12 Points 2015 Project Arts CentreDublin, IrelandApril 15-18, 2015 In an international calendar absolutely bulging with jazz festivals, 12 Points--conceived in Dublin by Improvised Music Company in 2007--stands out as one of the more original. It's not just the diversity and quality of the music that sets Twelve Points apart, after ...
Cassandra Wilson: Coming Forth by Day
by C. Michael Bailey
Cassandra Wilson is the most important jazz vocalist of the past thirty years. There. I said it. I meant it. It is out in the open (not that this was any secret). After an impressive jazz debut with Point of View (JMT, 1985), Wilson would release seven ...
ICP Orchestra: East of the Sun
by Glenn Astarita
The Holland-based Instant Composers Pool (ICP) Orchestra has amassed 51 albums since its inception in 1967 and due to health-related issues, legendary co-founder, pianist Misha Mengelberg is unable to perform. But guest artist, pianist Guus Janseen duly integrates his artistry into the orchestra's distinct constitution. And of course inimitable drummer Han Bennink helps support and steer ...
Ferdinando Argenti Trio: Live At The Sahara
by Edward Blanco
Boston-based pianist/vocalist and composer Ferdinando Argenti, originally from Pisa, Italy, delivers an impressive live recording entitled Live At The Sahara, recorded with a trio at the Sahara Club in the town of Methuen, north of Boston. Argenti designs an excellent set of instrumentals and vocals from the contemporary jazz cannon combining music from The Great American ...
Francesco Bearzatti & The Bears: Live in France
by Neri Pollastri
Com'è noto, ancor prima della definitiva affermazione in Italia con il suo quartetto Tinissima Francesco Bearzatti aveva riscosso un forte successo in Francia, paese dove peraltro si era trasferito e risiede. Là aveva avuto occasione di collaborare con vari musicisti, in primis con Aldo Romano ed Emmanuel Bex--con i quali aveva formato il fortunato Bizart trio--ma ...
Cliff Jordan and John Gilmore: Blowing in From Chicago – 1957
by Marc Davis
Imagine if Art Blakey and the Jazz Messengers, at the height of their popularity in 1957, invited a couple of sax guys you've never heard of to play with them. The result would be Blowing in From Chicago--a lively, wonderful record firmly in the Blue Note bop tradition. The rhythm section is ...
