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Fred Casadei: quello che sto ascoltando
by Vincenzo Roggero
1. Charles Mingus, Mingus Plays Piano, (Impulse!, 1964). Questo è uno dei dischi che amo di più, fonte di ascolto ma, ancora oggi, di studio. Ci sono soluzioni armoniche davvero moderne, ancora oggi, brani come «Myself When I'm Real» potrebbero essere stati scritti oggi... con la differenza che la passione di Mingus è ...
Gilly’s Remembered
by Michael J. Williams
Anyone who was a jazz aficionado in Cincinnati in the 1970s and wanted to hear the upper echelon musicians in the art form--the artists written about in Downbeat and whose records played regularly on the local AM station, WNOP--knew what to do. Make the 50-mile trek up Interstate 75 to Gilly's in Dayton.
Pat Martino: Formidable
by Victor L. Schermer
The title “Formidable" and the striking cover photo of Pat Martino in profile in front of a statue of a lion suggests that the great guitarist is going to unleash awesome powers. However, the proper meaning of formidable in this context is more to be taken as the presence of the master. Here and now, in ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York
by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
Natasha Agrama: The Heart Of Infinite Change
by Walter Atkins
The Heart Of Infinite Change (Alpha Pup/World Galaxy, 2017), is an update of the 2015 album from songwriter/vocalist Natasha Agrama. In addition to a different record label, the current release features one new track “Lover Man" and deletes four others from the earlier album. Heart consists of songs with music and lyrics by Agrama, Joni Mitchell ...
October Revolution in Jazz & Contemporary Music 2017
by Mark Corroto
October Revolution In Jazz & Contemporary Music FringeArts Philadelphia, PA October 5-8, 2017 The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...
Howard Johnson and Gravity: Testimony
by Angelo Leonardi
Il Gravity di Howard Johnson è un organico dedito esclusivamente alla timbrica grave (basso tuba, principalmente) con solisti e sezione ritmica. Il progetto risale addirittura al 1968 ma registrò il suo primo disco solo nel 1996 perchè tutte le etichette lo rifiutavano. Alla fine Johnson convinse i dirigenti della Verve, che non se ne pentirono viste ...
Fiato alle corde: Giovanni Palombo al Parco della Musica di Roma
by Mario Calvitti
Fiato alle corde: Giovanni Palombo Teatro Studio Parco della Musica Roma 7.9.17 La combinazione di chitarra acustica e sassofono in duo non è un abbinamento molto frequente, nonostante le notevoli potenzialità; tra gli esempi più recenti citiamo il duo Ralph Towner/Javier Girotto, che però non ha ancora avuto uno ...
Kamasi Washington: Harmony of Difference
by Phil Barnes
Being lauded as the “saviour of jazz" would weigh heavy on the shoulders of any young artist, even one so confident as to release a 170 minute treble CD as their 2015 debut. Yet Kamasi Washington pulled it off on the appropriately titled The Epic, with its ambitious, eclectic subject matter and surface similarities to spiritual ...
Wouter Turkenburg: Jazz Education in the New Millennium
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 All About Jazz and Wouter Turkenburg would like to dedicate this interview to the memory of saxophonist Michael Brecker (1949-2007). In addition to his prodigious accomplishments as an instrumentalist and band leader, Brecker was an exceptional worldwide ...
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