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Hyeonseon Baek: Longing
by Troy Dostert
Any vocalist who can call upon top-shelf talent in support of their debut recording is worth hearing. Hyeonseon Baek is no exception. The South Korean singer, who has studied at Maastricht University in the Netherlands and at the New England Conservatory, has already forged the connections that should allow him to distinguish himself in the jazz ...
Michele Fattori, Marcello Sebastiani: Gavagai
by Neri Pollastri
Erano più di vent'anni che non ascoltavo un lavoro di Marcello Sebastiani, uno dei molti artisti italiani che, pur non avendo mai “bucato lo schermo," coltivano con cura e qualità il loro amore per la musica, dedicandosi anche alla didattica. A distanza di tanto tempo ho conservato il bel ricordo di un suo disco, Duets, nel ...
Jazz Fest Deemed A Success (Three Years In A Row): A Look Back At The Virginia Beach Jazz Festival 1959-1961
by Troy Hoffman
They say that music is the “great communicator," and if so then jazz is the most fluent. Just a few miles away from the famous jazz club, The Jolly Roger, in Virginia Beach, the Robert E. Lee Amphitheater was newly built to seat 2,000 and was the location of the area's first Virginia Beach Jazz Festival ...
One for All: Big George
by Joshua Weiner
Smoke Sessions Records, based out of NYC's Smoke Jazz Club, has a fascinating recording model: artists play a few nights at the club, take a day off, and then go into a studio such as the famous Sear Sound to record their repertoire for release. They been putting out some excellent material, the latest of which ...
Hill Collective: Tonal Prophecy
by Chris May
The eight-piece Hill Collective hails from deep space via Brighton, a town an hour's train ride from London on Britain's south coast. In the contradictory way of many so-called collectives, it appears to have a leader, the alto saxophonist and composer/arranger Pete Piskov. But Piskov is there to marshal the madness not to repress it.
Friends & Neighbors: Circles
by John Sharpe
Even some 60 years after its birth, the free jazz of the American New Thing remains a fertile source of inspiration in 2024. On its sixth album, Circles, Norwegian quintet Friends & Neighbors continues to find rich avenues to explore in its updated repurposing of the naked expressionism of the 1960's avant-garde. An unchanged line up ...
Curtis Taylor: Taylor Made
by Jack Bowers
Trumpeter and composer Curtis Taylor's debut album, he writes in the liner notes, “was over twenty years in the making." Ever since he was a teenager, Taylor confesses, he dreamed of recording his music with a group of stellar musicians and calling it Taylor Made. And now he has. The album's cover mirrors ...
Charles Mingus: Peggy's Blue Skylight
About an hour and 45 minutes north of Manhattan sits the village of Millbrook, N.Y. In the 1960s, a sprawling American Queen Anne mansion just outside the village became something of a counterculture landmark. Built in 1912, the house and the 2,500-acre estate was acquired at the start of the 1960s by the twin sons of ...
Petr Kotik: Beyond Race, Beyond Genre, There’s Music
by Kurt Gottschalk
Petr Kotik has walked among giants. To the extent that he is recognized in New York City, where he has made his home for 41 years, it is as an associate of John Cage and Morton Feldman with an apparent fixation on Gertrude Stein. In his Czech homeland, he is held in higher esteem--in part, arguably, ...
Albert "Tootie" Heath: Class Personified
by R.J. DeLuke
This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...
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