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E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
The New NEA Jazz Masters: Anthony Braxton
There has been disagreement for more than forty years about whether the saxophonist, composer and sometime pianist Anthony Braxton is a jazz musician. With many others, he long insisted that the music he wrote and played was not jazz, but in 1993 he told author Cole Gagne, “...even though I have been saying I’m not a ...
2013: The Year In Jazz
by Ken Franckling
The West Coast now has a jazz edifice of its own with strong roots, International Jazz Day grew in scope during year two, jazz made its mark on (and off) Broadway, and the number of musicians lost during the year was large and painful. Here's a look at significant happenings across the jazz world over the ...
Tedeschi Trucks Band at the Vogue Theater
by Lloyd N. Peterson Jr.
Tedeschi Trucks Band Vogue Theater Vancouver, BC November 8, 2013 Jazz has always taken from the pop music of its day and culturalized it, intellectualized it, added some soul or swing and for those who are capable, added the personalized artistic X factor that is unique to that artist's ...
John Sharpe's Best Releases of 2013
by John Sharpe
Here are twelve new releases which stood out from those I heard this year, in no special order. Mostly Other People Do The Killing Slippery Rock (Hot Cup Records) Leader and bassist Moppa Elliott's songwriting talents haven't deserted him: his charts, named after small Pennsylvania towns, are bursting at ...
Noah Rosen / Alan Siva: O.I.L. (Orchestrated Improvised Lives)
by Eyal Hareuveni
Alan Silva is one of the last true heroes of free jazz and improvised music. He was at the right place, at the right time with his own powerful sound. He played, while still playing the double bass, on some of the formative recordings of the forefathers of the sixties free jazz as Albert Ayler, Sun ...
2013 Holiday Gift Guide
by Jeff Fitzgerald, Genius
One of the longstanding traditions around the 'Dome, along with Taco Tuesdays and the monthly Google Nude® check to see if any of my favorite actresses have “accidentally" Tweeted “private" pictures of themselves recently, is the annual viewing of A Charlie Brown Christmas. Few things bring back the warm memories of childhood and invoke the true ...
konstruKt: Turkish Free Music
by Mark Corroto
When we think of the term “virus," we equate it with human disease or an infection, as in a computer virus. But consider the musical virus known as free jazz, or improvisation. Its origins can be traced back to a Louis Armstrong solo deviating from his brass band's arrangement. Quickly, his extemporizing blossomed into jazz music ...
Tubby Hayes: Seven Steps to Heaven - Live at the Hopbine 1972
by Roger Farbey
This set from the late saxophonist and flautist Tubby Hayes was extraordinary for several reasons. It featured along with his regular pianist of the time, Mike Pyne, two other virtuoso musicians, drummer Tony Oxley who repeatedly topped the Melody Maker British section jazz polls and the relatively less well known Daryl Runswick--primarily a classically trained musician ...
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