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Ethnic Heritage Ensemble at The Center for New Music
by Harry S. Pariser
Ethnic Heritage Ensemble Center for New Music San Francisco, CA February 15, 2016 San Francisco's Tenderloin District is a down-and-out area which wags have christened “Twitterloin," (owing to the proximity of Twitter and other tax companies given tax subsidies to erect their palatial edifices in this culturally diverse neighborhood). And the ...
Keith Tippett: Mujician Solo IV – Live in Piacenza
by Duncan Heining
From its opening notes, it is apparent that Keith Tippett's first solo recording in fifteen years is something very special indeed. Tippett has always been a player with a talent for musical pyrotechnics, cascades of notes--triplets, trills, mordants and arpeggios-colliding with mighty tone clusters. But equally, he has also been an artist of great emotional subtlety ...
William Hooker: Light
by John Sharpe
Light constitutes another welcome instalment from the back pages of NYC free jazz by the Lithuanian No Business imprint, following on from Jemeel Moondoc's Muntu Recordings (2009), Commitment's Complete Recordings 1980/1983 (2010) and William Parker's Centering: Unreleased Early Recordings 1976-1987 (2012) box set, among others. The label has released some of drummer William Hooker's most accomplished ...
Sitting Bull: Sitting Bull
by Karl Ackermann
The piano and percussion duo may be two-thirds of that most ubiquitous trio formation, but it is not often heard. Among those who have tackled this duo format are former Yes members, keyboardist Patrick Moraz and drummer Bill Bruford--both with solid jazz credentials--who had been down this road more than twenty years back with two E.G. ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though New York City remains first and foremost in everyone's mind as the “Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, Sonny ...
Arancio, nero e nostalgia: tempo di ristampe in casa Impulse!
by Luca Canini
Piovono ristampe in casa Impulse!. Un diluvio benedetto a tinte arancionere che riporta sugli scaffali dei negozi classicissimi e rarità a prezzi stracciati. Non il massimo l'operazione dal punto di vista filologico: grafica discutibile, copertine originali incrociate grossolanamente, rimasterizzazione discreta ma non eccelsa, note riprodotte in miniatura e in alcuni casi praticamente illeggibili; ma il rapporto ...
Aruan Ortiz Trio: Hidden Voices
by Dan McClenaghan
The jazz piano trio comes in a wide spectrum of approaches, from the traditional--Red Garland, Tommy Flanagan--to the way out there avant-garde, like Cecil Taylor. When the subject of “Cuban pianists" comes up, some of the first names that come to mind are probably those who work in a traditional vein: Chucho Valdes, perhaps, or maybe ...
Howard Riley: Howard Riley: Lush Life
by Duncan Heining
With the reissues of Discussions, Angle and The Day Will Come, the last few months have offered an embarrassment of riches for Howard Riley fans. We have here two recent solo recordings, one in the studio and one live in Lithuania, and a live duo album with the late, great Jaki Byard from 1985. Of course, ...
Giovanni di Domenico / Peter Jacquemyn / Chris Corsano: A Little Bit Off The Top
by John Sharpe
Three adept protagonists in the free improv arena assemble in a multinational gathering on A Little Bit Off The Top. Both Italian pianist Giovanni Di Domenico and Belgian bassist Peter Jacquemyn are active on the Brussels scene, while American drummer Chris Corsano shares experience with the pianist of hook ups with the likes of guitarist Jim ...
Howard Riley: Reinventing the Jazz Piano Trio
by Duncan Heining
Even allowing for journalistic hyperbole, the phrase “reinventing the jazz piano trio" was a doozy. It all seemed a bit “Emperor's new clothes" or, as my late mother used to put it, “new coat and no knickers." For a time in the noughties, British critics variously applied the phrase to Esbjorn Svensson, Brad Mehldau, The Necks, ...
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