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5

Article: Album Review

Big Head Todd and the Monsters: Black Beehive

Read "Black Beehive" reviewed by Doug Collette

by Doug Collette

Big Head Todd & The Monsters have maintained a solid and occasionally high profile since their formation in 1986. Regular studio and road work has produced a fairly extensive discography of albums and DVD's as well as authorized concert recordings, including their previous project under the pseudonym Big Head Blues Club, 100 Years of Robert Johnson, ...

8

Article: Album Review

Jeremy Pelt: Face Forward, Jeremy

Read "Face Forward, Jeremy" reviewed by Glenn Astarita

by Glenn Astarita

Venerable trumpeter Jeremy Pelt takes another step out of the modern jazz schema, expanding upon Water and Earth (HighNote Records, 2013) with his young band by forging an acoustic- electric jazz wonderland, swarming with colorful fabrications and capacious sonic environs. Featuring works abetted with strings, electronics, vocals and free-flight jazz-based improvisations, the program is heightened by ...

6

Article: Album Review

simakDialog: The 6th Story

Read "The 6th Story" reviewed by Ian Patterson

by Ian Patterson

The title, simple yet enigmatic, hints at the epic tale that is SimakDialog--the Indonesian prog-jazz band formed by keyboard player Riza Arshad in 1993. The band's international debut Patahan (MoonJune Records, 2007) served as a global calling card, with critics referencing jazz-fusion influences such as trumpeter Miles Davis, keyboardists Chick Corea and Joe Zawinul, The Pat ...

5

Article: Album Review

John Brown: Quiet Time

Read "Quiet Time" reviewed by C. Michael Bailey

by C. Michael Bailey

Bassist and bandleader John Brown was last heard backing Nneena Freelon on her Christmas (Brown Boulevard Records, 2013) release leading one of his decidedly larger ensembles. Quiet Time finds the bassist pared down to a classic trumpet-saxophone quintet size for a recital of after-hours tunes. Brown's fronting horns are trumpeter Ray Codrington and saxophonist Brian Miller. ...

4

Article: Album Review

Jeremy Steig: Flute Fever

Read "Flute Fever" reviewed by Carlo Wolff

by Carlo Wolff

Jeremy Steig's astonishing, trailblazing debut finally gets its compact disk due, 50 years after Columbia released it on vinyl. It was also the debut of Denny Zeitlin, a Bay Area psychiatrist whose singularly imaginative jazz moonlighting has resulted in numerous fearless disks over the past five decades. Backed by veterans Ben Riley on drums and Ben ...

4

Article: Album Review

L.A.6: Frame Of Mind

Read "Frame Of Mind" reviewed by Edward Blanco

by Edward Blanco

Comprised of musicians based in Los Angeles, California, the L.A. 6 are a group of seasoned professionals who came together fifteen years ago with one common bond, a history and affinity for West Coast Jazz and Frame Of Mind is their homage to the contemporary straight ahead style made so popular in the '50s and early ...

9

Article: Album Review

Dhafer Youssef: Birds Requiem

Read "Birds Requiem" reviewed by Glenn Astarita

by Glenn Astarita

Tunisian oud maestro Dhafer Youssef imparts a holistic world music vista, encompassing jazz, rock and spiritual inclinations while retaining the core Arabic modalities on the aurally picturesque Birds Requiem. And his chant-like, resonating vocals entwine mystical attributes with near-flawless control amid passages that induce an impression of sacred exchanges with a higher entity. Blending ...

27

Article: Album Review

Marco Sanguinetti: 8

Read "8" reviewed by Sammy Stein

by Sammy Stein

8 is the new album by Marco Sanguinetti, who has been around for a little while. Sanguinetti has made three previous albums Improvisiones (MDR 2005), Franz Processes (2008), The Other (2011) and now8, the last three being produced on the Acqua label. He has played with Rodrigo Gomez, Leila Cherro (who also plays on '8'), La ...

7

Article: Album Review

Cava Menzies/Nick Phillips: Moment to Moment

Read "Moment to Moment" reviewed by Dan McClenaghan

by Dan McClenaghan

This feels like a chance ramble off of dimly lit streets into a wee hours night club; and the quartet--trumpet, piano, bass and drums--has slipped into a blue mood. A few notes from the muted horn, a half a dozen supple touches of the piano keys sets the introspective and melancholy tone for the evening. The ...

84

Article: Album Review

Arshak Sirunyan: Hoodman's Blind

Read "Hoodman's Blind" reviewed by Karl Ackermann

by Karl Ackermann

Pianist/composer Arshak Sirunyan's Hoodman's Blind is likely to be one of the most unique and compelling releases of the year. The Armenian born musician was a finalist in that country's prestigious National J. S. Bach Concerto Competition in 1994. Now a Washington DC resident, he has assembled a top-tier ensemble of award-winning artists from around the ...


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