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Mike Bardash Quintet: Polygon
by Jack Bowers
Mike Bardash, who has been playing piano since age five and performing in and around the New York City area for more than a quarter-century, gets right down to “Brass Tacks" on Polygon, which, as far as can be determined, is the first full-length album he has recorded as leader of a group, in this case ...
Dewa Budjana: Joged Kahyangan
by Ian Patterson
A million-selling artist in Indonesia with pop-rock band Gigi, guitarist Dewa Budjana's solo projects informed by progressive rock, Indonesian folk and jazz fusion reveal a greater spirit of adventure. Budjana's second release of 2013 on the MoonJune label following Dawai in Paradise is similarly melodic, though differs significantly. Firstly, the word-fusion-meets-prog rock of Dawai in Paradise ...
Monteverdi Choir, Sir John Eliot Gardiner: Bach Motets
by C. Michael Bailey
Sir John Eliot Gardiner could easily divide his professional career into “before BCP" and after “BCP." At the close of the 20th Century, Gardiner began the Bach Cantata Pilgrimage with the bulk of the project taking place throughout the millennial year 2000. With his Monteverdi Choir and English Baroque Soloists, Gardiner performed and recorded all of ...
Marco Sanguinetti: 8
by Mehdi El Mouden
From Buenos Aires, pianist and composer Marco Sanguinetti digs art from numerous sources to create a feeling which is unique. Quite inspired, Sanguinetti along with his Pibe A group did a remake in 2010 of Radiohead's album Kid A, retorted in 2012 with a remake of Pink Floyd's The Dark Side of the Moon, and was ...
Daniel Smith: Smokin' Hot Bassoon Blues
by Hrayr Attarian
It is rare that a jazz album comes with laugh out loud moments but bassoonist Daniel Smith's Smokin' Hot Bassoon Blues is full of them. Unfortunately these do not appear to be intentional humorous attempts merely risibly poor performances. This is a shame as Smith is both an accomplished musician and a jazz connoisseur ...
George Cables: Icons and Influences
by Jack Bowers
When a jazz musician has been around as long as pianist George Cables, and has seen, heard and performed with so many other world-class musicians, such interactions are bound to leave a lasting impression, and on the trio date Icons and Influences Cables warmly salutes a number of those who have helped frame his musical persona ...
Thumbscrew: Thumbscrew
by Troy Collins
Thumbscrew is the self-titled debut of a two-year-old trio featuring guitarist Mary Halvorson, bassist Michael Formanek and drummer Tomas Fujiwara. As leading members of the next generation, Halvorson and Fujiwara have honed their finely-tuned rapport in numerous ensembles over the years, including cornetist Taylor Ho Bynum's flagship sextet, where they first met Formanek, who subbed for ...
Rufus Reid: Quiet Pride
by Dan Bilawsky
The beauty of art is often in the taking rather than the making. The art may come to life in the mind of the artist but it often flourishes when the ink dries, the chisel is withdrawn, the dust has settled, or the final brushstrokes have been applied. At that point, the preparation ends and the ...
Miriodor: Cobra Fakir
by Glenn Astarita
Hailing from Canada, Miriodor's 35-year existence has yielded a fruitful discography, as the band is nestled within a Rock in Opposition (R.I.O) stylization that transcends progressive rock into various spatial aspects and genres. The musicians share this categorization, steeped in experimentalism with European ensembles, Present and Univers Zero, for example. Now a trio, the artists' current ...
SSS-Q: Songs From My Backyard
by Eyal Hareuveni
Portuguese, Porto-based trumpeter Susana Santos Silva emerged in recent years as one of the most original and articulate voices in the European avant-jazz and non-idiomatic music due to her part in the chamber Lama Trio, that already released two albums ( and Lamaçal, 2011 and 2013, Clean Feed) and her duo with Swedish double bassist Torbjörn ...
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