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Article: Album Review

Swiss Jazz Orchestra: Live at Jazzfestival Bern

Read "Live at Jazzfestival Bern" reviewed by Jack Bowers

by Jack Bowers

Live at Jazzfestival Bern (Mons) Some big-band albums are heated and brassy, others cool and understated, while a precious few simply cast a mesmerizing spell. “Live at Jazzfestival Bern," recorded in May 2013 by the unerring Swiss Jazz Orchestra, drops anchor squarely in the last of those realms, thanks in part to the ensemble's ...

4

Article: Album Review

Momo Kodama: La Vallee Des Cloches

Read "La Vallee Des Cloches" reviewed by Hrayr Attarian

by Hrayr Attarian

Japan-born and France-educated pianist Momo Kodama is perfectly at home on La vallée des cloches, as she brings her signature, sublime approach to the interpretation of three introspective 20th century gems. The compositions go from impressionistic to more abstract, both within themselves and throughout the record. Maurice Ravel's five-movement suite “Miroirs," dedicated to various ...

5

Article: Album Review

Max Johnson Trio: The Invisible Trio

Read "The Invisible Trio" reviewed by Eyal Hareuveni

by Eyal Hareuveni

The sophomore release of New York-based Max Johnson Trio, after Elevated Vegetation (FMR 2012), finds this highly versatile acoustic trio focusing more on written compositions and less on free improvisation. The trio--Johnson on double bass, prolific Kirk Knuffke on cornet and Ziv Ravitz on the drums--enjoys stretching Johnson's compositions in surprising ways. ...

8

Article: Album Review

Daan Kleijn: Trio

Read "Trio" reviewed by David Bittinger

by David Bittinger

If in the past you'd asked me about jazz guitar, a few words might have been offered about Wes Montgomery, and a few more about a beloved Jazz 'Round Midnight reissue of one of the great records that Django Reinhardt cut with violinist Stéphane Grappelli. A vague opinion might then have been tossed off that is ...

1

Article: Album Review

Mary LaRose: Reincarnation

Read "Reincarnation" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Lavoro ben singolare, questo della cantante newyorkese Mary LaRose, che seleziona un carnet di brani decisamente emblematici di un modo di fare jazz (e relativo tessuto temporale), ci mette su dei testi, e li interpreta col prevalente supporto di un quartetto d'archi. Gli autori sono Charles Mingus e Ornette Coleman, col trait d'union ...

2

Article: Album Review

Javier Vercher - Ferenc Nemeth: Imaginary Realm

Read "Imaginary Realm" reviewed by Vincenzo Roggero

by Vincenzo Roggero

L'immagine di copertina--un grattacielo senza identità con inquietanti ciminiere per sfondo--e quella interna--una figura accovacciata sulla sabbia che osserva un cane divertirsi sulla battigia--pur essendo accomunate dalla stessa tonalità di grigio esprimono un evidente contrasto prospettico e qualitativo. Qualità che si ritrova sicuramente in questa incisione, grazie alla sensibilità messa in mostra dal sassofonista Javier Vercher ...

5

Article: Album Review

Chicago Underground Duo: Locus

Read "Locus" reviewed by Troy Collins

by Troy Collins

For over 17 years Rob Mazurek and Chad Taylor have collaborated as the Chicago Underground Duo, a long-running partnership that has served as the core foundation for larger configurations of the group, including Trio, Quartet and Orchestra. The expansive nature of the ensemble's fluctuating personnel and the subsequent diversity of music produced has been a direct ...

4

Article: Album Review

Frank Wess: Magic 201

Read "Magic 201" reviewed by Jack Bowers

by Jack Bowers

The cover of the late Frank Wess' final album, Magic 201, closely resembles that of its predecessor, Magic 101--so much so that a reviewer who didn't look closely enough might assume he'd been sent a second copy of the earlier album by mistake. (Oops!) Wess recorded Magic 201 in September 2011, two months after Magic 101 ...

7

Article: Album Review

Samo Salamon & The Slovene Philharmonic String Chamber Orchestra: Free Strings: Orchestrology

Read "Free Strings: Orchestrology" reviewed by Glenn Astarita

by Glenn Astarita

Slovenian guitarist Samo Salamon is not content to rest on his laurels or enviable chops. His two-CD set, Stretching Out (Sazas, 2013), was a fierce progressive jazz and improvisational implosion featuring his work with US and European quartets. Free Strings: Orchestrology signifies a 360-degree turnaround with a core trio and collaboration with the Slovene Philharmonic String ...

4

Article: Album Review

Scott Feiner & Pandeiro Jazz: A View From Below

Read "A View From Below" reviewed by Glenn Astarita

by Glenn Astarita

New York City-based jazz musician Scott Feiner's fourth recording as a leader draws attention to his unique artistry as a pandeiro player, which is a hand drum he discovered during his first trip to Brazil in 1999. As an educator, he's spread the good word with presentations and workshops across the globe. Interestingly enough, Feiner's percussive ...


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