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Cowboy Mouth: Go!
by Mike Perciaccante
Cowboy Mouth drummer/lead vocalist Fred LeBlanc has been quoted as saying, “If the Neville Brothers and the Clash had a baby, it would be Cowboy Mouth." Fans have described a Cowboy Mouth performance as a Southern gospel revival sans the religion. In many ways for many of the band's fans, Cowboy Mouth is a religion. As ...
Bob Mamet: London House Blues
by Dan Bilawsky
Chicago's now defunct London House was one of the great jazz clubs from a bygone era. Stellar talents like pianist Oscar Peterson and vocalist Sarah Vaughan recorded live albums there, and most of jazz's legendary figures, from Dave Brubeck to Bill Evans to Cannonball Adderley, passed through at one time or another. On his first release ...
Jon Crowley: The Rehumanization EP
by Nicholas F. Mondello
The “EP" tag sitting on the title of trumpeter Jon Crowley's The Rehumanization EP is an obvious abbreviation for “Extended Play." Given an extended listening, it might be more apt to be interpreted as “exceptionally pleasing" or “exceptional performance." Both descriptions precisely fit this, Crowley's third release as leader. And, it is just as terrific as ...
Jimmy Cobb: The Original Mob
by C. Andrew Hovan
As the Smoke Sessions list of titles continues to grow, so too do we get to check out some of the country's greatest drummer. The much in-demand Joe Farnsworth has been featured on the label's releases by Harold Mabern and David Hazeltine. Furthermore, one of the most recent titles is a headlining date for the legendary ...
Louis Hayes: Return of the Jazz Communicators
by C. Andrew Hovan
Much like what has happened with Smalls Records, the cottage industry that Smoke jazz club started when they debuted their own record label last fall has continued to grow into a viable commodity. So too, there is common ground to the look and feel of each release, even as the color scheme and the music itself ...
Bitch 'n' Monk: FulafalonGa
by Bruce Lindsay
Bitch 'n' Monk is clearly willing and able to take a few risks. It's a strategy that succeeds: the duo's debut recording and self-described “short album," the beautifully-packaged FulafalonGa, lasts barely 25 minutes but packs more ideas into that brief span than most bands manage in the full 60-minutes plus of a standard CD. What's more, ...
Dave Kain: Raising Kain
by Dan Bilawsky
Raising Kain is a first for guitarist Dave Kain in two ways: it's the first trio record in his discography and it marks the first time he's worked with a producer instead of going it alone. After releasing a few albums with different incarnations of the Dave Kain Group, he decided to trim ...
Ali Ryerson Jazz Flute Big Band: Game Changer
by Angelo Leonardi
Non sarà tra quelli che segnano una tappa nella storia del jazz ma i pregi di questo disco sono molti e forse detiene un primato. È uno dei rari album, forse l'unico con un'organico così ampio, a presentare un'orchestra di soli flautisti, eccetto i tre componenti della sezione ritmica. Una decina d'anni fa Ali ...
Fauna: Fauna
by Vincenzo Roggero
BoSS è l'acronimo di “bonsai sound sculpture," uno strumento modulare portatile composto da un giradischi riciclato, elettronica DIY (fai da te), percussioni metalliche amplificate e corde varie. Ideatore del marchingegno è Paul Stapleton, sound artist originario della California meridionale attualmente residente a Belfast, Irlanda del Nord. Frequentatore assiduo della sperimentazione anche estrema attraverso ...
Rodrigo Amado: Wire Quartet
by Eyal Hareuveni
The debut album of Portuguese saxophonist Rodrigo Amado's Wire Quartet--featuring the rhythm section of the acclaimed RED Trio, double bassist Hernâni Faustino and drummer Gabriel Ferrandini (who also plays in Amado's long-standing working Motion Trio) and experimental guitarist Manuel Mota--demonstrate Amado strongest and most intense performances to date, defying any attempt to associate it with post-bop ...
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