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Article: Album Review

Boz Scaggs: Out Of The Blues

Read "Out Of The Blues" reviewed by Doug Collette


It's been quite a while since Boz Scaggs' massive commercial breakthrough with Silk Degrees (Columbia, 1976), but even longer since he debuted as a solo artist, upon his departure from The Steve Miller Band, with his eponymous (domestic) debut album. Permeated with a soulful sense of the blues---even apart from the late Duane Allman's now-famous incendiary ...

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Article: Album Review

Craig Fraedrich: Out of the Blues

Read "Out of the Blues" reviewed by Chris M. Slawecki


Out of the Blues, featuring Craig Fraedrich on trumpet and flugelhorn with The Jazz Trumpet Ensemble, would have sounded great in the sweltering hard-bop landscape that Cannonball Adderley, The Jazz Messengers led by Art Blakey, Horace Silver and other jazz legends began to explore in the late 1950s. Fraedrich has been featured trumpet soloist ...

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Article: Album Review

Greg Yasinitsky: YAZZ Band

Read "YAZZ Band" reviewed by Jack Bowers


You're right, Greg Yasinitsky isn't a household name--apart from his own household, that is, and perhaps a handful of others in and around Pullman, WA, where Yasinitsky serves as professor of music and coordinator of Jazz Studies at Washington State University. And while his impressive debut album as overseer of the well-spoken YAZZ Band may not ...

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Article: Album Review

Kinsmen And Strangers: Faustian Pact

Read "Faustian Pact" reviewed by Mark Corroto


We always go back to Ornette Coleman. Always. That might not be your first thought listening to Faustian Pact by Kinsmen And Strangers, but protracted contact with the trio's music summons the same tumult, or at least the same clamor felt in the early 1960s. Sure, the revolution's over, but the spirit and energy of those ...

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Article: Album Review

John Christensen: Dear Friend

Read "Dear Friend" reviewed by Friedrich Kunzmann


Madison-based double bassist John Christensen is certainly no rookie to jazz, even though Dear Friend would appear to be his debut album. After attending the University of North Texas, Christensen chose to follow a more personalized education and set up camp in San Francisco. It is in the bay area that he committed to extensive gigging ...

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Article: Album Review

Hugo Fattoruso: Hugo Fattoruso Y Barrio Opa

Read "Hugo Fattoruso Y Barrio Opa" reviewed by Chris M. Slawecki


Once upon a time in Uruguay, teenage brothers Osvaldo and Hugo Fattoruso stepped out of their musical family trio to play guitar and bass for popular Latin American jazz (swing) and rock 'n' roll ensembles, venturing in and around the region and woodshedding, which gave them time and space to work candombe rhythms and bossa nova ...

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Article: Album Review

Aaron Shragge: This World of Dew

Read "This World of Dew" reviewed by Franz A. Matzner


The distinctiveness of This World of Dew stems equally from Aaron Shragge's technical mastery of the flugelhorn, dragon mouth trumpet, and Japanese Shakuhachi, his deep understanding of the traditions underpinning the Japanese aesthetic, and guitarist Ben Monder's ethereal, elongated harmonic syntax. Combined, these elements produce an immersive experience permeated by the sensibilities of the ...

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Article: Album Review

Andy Biskin 16 Ton: Songs from the Alan Lomax Collection

Read "Songs from the Alan Lomax Collection" reviewed by Mark Corroto


Maybe you're not the type of American comfortable shouting “USA...USA...USA!" at sporting events. You might though, reconsider the prohibition after listening to clarinetist Andy Biskin and 16 Tons' Songs From The Alan Lomax Collection. If you know your history you're aware the ethnomusicologist Alan Lomax, beginning just before WWII, recorded (and preserved) folk and blues music ...

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Article: Album Review

Gary McFarland: The In Sound & Soft Samba

Read "The In Sound & Soft Samba" reviewed by Rob Caldwell


Arranger, vibraphonist and singer Gary McFarland is regarded as one of the major purveyors of orchestral jazz--a type of jazz which had its heyday in the 1960s, but which is not heard as much anymore. A fine line separates orchestral jazz from the dreaded “easy listening" tag. A line so fine, they're often one and the ...

Article: Album Review

Kurt Elling: The Questions

Read "The Questions" reviewed by Angelo Leonardi


Dall'inizio del nuovo millennio Kurt Elling ha sempre più escluso dal suo repertorio brani swinganti e dinamici a favore di ballad o pop song. Gli esuberanti interventi in scat e le fantasiose escursioni vocali dei primi dischi (mutuate dal suo iniziale modello, Mark Murphy) hanno lasciato il posto a interpretazioni da crooner confidenziale, privilegiando interpretazioni eleganti, ...


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