Home » Search Center » Results: CD/LP/Track Review
Results for "CD/LP/Track Review"
Boz Scaggs: Out Of The Blues
by Doug Collette
It's been quite a while since Boz Scaggs' massive commercial breakthrough with Silk Degrees (Columbia, 1976), but even longer since he debuted as a solo artist, upon his departure from The Steve Miller Band, with his eponymous (domestic) debut album. Permeated with a soulful sense of the blues---even apart from the late Duane Allman's now-famous incendiary ...
Craig Fraedrich: Out of the Blues
by Chris M. Slawecki
Out of the Blues, featuring Craig Fraedrich on trumpet and flugelhorn with The Jazz Trumpet Ensemble, would have sounded great in the sweltering hard-bop landscape that Cannonball Adderley, The Jazz Messengers led by Art Blakey, Horace Silver and other jazz legends began to explore in the late 1950s. Fraedrich has been featured trumpet soloist ...
Greg Yasinitsky: YAZZ Band
by Jack Bowers
You're right, Greg Yasinitsky isn't a household name--apart from his own household, that is, and perhaps a handful of others in and around Pullman, WA, where Yasinitsky serves as professor of music and coordinator of Jazz Studies at Washington State University. And while his impressive debut album as overseer of the well-spoken YAZZ Band may not ...
Kinsmen And Strangers: Faustian Pact
by Mark Corroto
We always go back to Ornette Coleman. Always. That might not be your first thought listening to Faustian Pact by Kinsmen And Strangers, but protracted contact with the trio's music summons the same tumult, or at least the same clamor felt in the early 1960s. Sure, the revolution's over, but the spirit and energy of those ...
John Christensen: Dear Friend
by Friedrich Kunzmann
Madison-based double bassist John Christensen is certainly no rookie to jazz, even though Dear Friend would appear to be his debut album. After attending the University of North Texas, Christensen chose to follow a more personalized education and set up camp in San Francisco. It is in the bay area that he committed to extensive gigging ...
Hugo Fattoruso: Hugo Fattoruso Y Barrio Opa
by Chris M. Slawecki
Once upon a time in Uruguay, teenage brothers Osvaldo and Hugo Fattoruso stepped out of their musical family trio to play guitar and bass for popular Latin American jazz (swing) and rock 'n' roll ensembles, venturing in and around the region and woodshedding, which gave them time and space to work candombe rhythms and bossa nova ...
Aaron Shragge: This World of Dew
by Franz A. Matzner
The distinctiveness of This World of Dew stems equally from Aaron Shragge's technical mastery of the flugelhorn, dragon mouth trumpet, and Japanese Shakuhachi, his deep understanding of the traditions underpinning the Japanese aesthetic, and guitarist Ben Monder's ethereal, elongated harmonic syntax. Combined, these elements produce an immersive experience permeated by the sensibilities of the ...
Andy Biskin 16 Ton: Songs from the Alan Lomax Collection
by Mark Corroto
Maybe you're not the type of American comfortable shouting USA...USA...USA!" at sporting events. You might though, reconsider the prohibition after listening to clarinetist Andy Biskin and 16 Tons' Songs From The Alan Lomax Collection. If you know your history you're aware the ethnomusicologist Alan Lomax, beginning just before WWII, recorded (and preserved) folk and blues music ...
Gary McFarland: The In Sound & Soft Samba
by Rob Caldwell
Arranger, vibraphonist and singer Gary McFarland is regarded as one of the major purveyors of orchestral jazz--a type of jazz which had its heyday in the 1960s, but which is not heard as much anymore. A fine line separates orchestral jazz from the dreaded easy listening" tag. A line so fine, they're often one and the ...
Kurt Elling: The Questions
by Angelo Leonardi
Dall'inizio del nuovo millennio Kurt Elling ha sempre più escluso dal suo repertorio brani swinganti e dinamici a favore di ballad o pop song. Gli esuberanti interventi in scat e le fantasiose escursioni vocali dei primi dischi (mutuate dal suo iniziale modello, Mark Murphy) hanno lasciato il posto a interpretazioni da crooner confidenziale, privilegiando interpretazioni eleganti, ...





