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Joe Harriott-Amancio D’Silva Quartet: Hum Dono
by Duncan Heining
All credit to Dutton Vocalion for making Hum Dono available again. It's open to question, of course, whether the record should be seen as a Harriott date at all. The Goan guitarist, Amancio D'Silva, is certainly more than a junior partner here and provides five of the record's six tunes, as well as shaping its whole ...
Francesco Marcocci: FOLKLORiCO
by James Nadal
If the Mediterranean can be arguably construed as the cradle of civilization, then Italy certainly has a favorable geographical position in this debate, as it protrudes into the middle of the sea. Francesco Marcocci learned the bass in his hometown of Pisa, Italy, and in the process absorbed the rich musical legacies prevalent in the region. ...
Keith Jarrett, Charlie Haden, Paul Motian: Hamburg '72
by Luca Canini
Un paio di premesse. Doverose: per onestà intellettuale e per profondità di campo. La prima: da un pezzo ho smesso di emozionarmi per l'ennesimo disco di Keith Jarrett. Gli ultimi flebili sussulti risalgono al 2000, al doppio Whisper Not, prova di gran classe pur nell'ambito di un virtuosismo che da tempo si era ...
Brad Gibson: Poontet
by Vincenzo Roggero
Poontet è una piccola, sorprendente finestra aperta sulla effervescente scena musicale di Seattle. Un EP, poco più di trenta minuti di musica che raccoglie fermenti e suggestioni contemporanee e li colloca in una dimensione temporale trasversale a diverse epoche e influenzate da differenti generi. La combinazione di tastiere analogiche e tastiere digitali crea sonorità cosmiche, ideale ...
Blood Sweat & Tears: Child Is Father To The Man
by Glenn Astarita
Back in the 1960s, keyboardist, vocalist Al Kooper played a prominent role as a coordinator and innovator in the flourishing blues, pop and rock idioms. He played the Hammond organ part on Bob Dylan's “ perennial classic “Like a Rolling Stone," and recorded with wunderkind guitarist Mike Bloomfield, leading to the highly revered Super Session (Columbia, ...
Brooklyn Rider: The Brooklyn Rider Almanac
by AAJ Staff
Nel 1912 veniva pubblicato lo storico Der Blaue Reiter Almanach, uno dei volumi fondativi della cultura del primo Novecento. Curato da Vasilij Kandinskij e Franz Marc, il ponderoso almanacco conteneva le riproduzioni di molte opere d'arte e alcuni articoli fondamentali dello stesso Kandinskij, ma anche di Skrjabin. Un secolo più tardi il quartetto d'archi ...
Tom Green Septet: Skyline
by Bruce Lindsay
Skyline is the debut release from the Tom Green Septet, a young band from the UK led by trombonist and composer Tom Green. A graduate of the Royal Academy Of Music and winner of the 2013 Dankworth Prize for jazz composition, Green wrote all of the tunes on Skyline with the exception of Hoagy Carmichael's “Skylark." ...
Tom Richeson: Jazz Tracks
by C. Michael Bailey
There is plenty of jazz talent in my home city of Little Rock, Arkansas. A mainstay artist here is trumpeter/composer Tom Richeson. He is an Associate Professor of Music and Jazz Studies Coordinator at the University of Arkansas at Little Rock. Richeson has performed with other hometown artists like Pharoah Sanders, Stan Samole, Art Porter Sr., ...
Joachim Badenhorst: Forest // Mori
by Mark Corroto
Clarinetist Joachim Badenhorst probably doesn't know who Ray Johnson is, or was. He died 20 years ago. Johnson, the father of Mail Art, created a network of artists and patrons beginning in the1960s through his correspondences. He called them 'correspondances.' His mailings created a worldwide democratic system for art. Mail Art peaked pre-internet, in ...
Antoine Fafard: Ad Perpetuum
by Glenn Astarita
Canadian bassist Antoine Fafard possesses awe-inspiring chops and can seemingly do anything he darn well pleases. Following suit with his previous solo outing Occultus Tramitis (Unicorn, 2013) he aligns his significant wares with highly revered artists, providing the level of support required, not only to pull off the tricky time signatures, but to also add various ...
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