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Sasha Masakowski & the Sidewalk Strutters: Old Green River
by C. Michael Bailey
There is a rare musical triple point where talent, vision, and a wicked sense-of-humor meet. Damn few artists ever make it there. I believe that it must be the address of one Sasha Hildegard Masakowski. NOLA's own has recently relocated to the cultural hub of the universe, New York City, but not before navigating the choppy ...
Stefano Battaglia Trio: In The Morning
by Karl Ackermann
Over the past five years Stefano Battaglia could have easily taken bassist Salvatore Maiore and drummer Roberto Dani into the ubiquitous realm of classically trained piano trios, where improvisation, chamber and dark lyricism meet but rarely ignite. But along with his classical training and an established ear for free jazz, hard bop and mainstream, Battaglia has ...
Billabong Island Sound: Spring Baby
by C. Michael Bailey
There exists music that is perfect for ambient listening (read that: while in an altered state"). My favorite for many years has been UB40's debut Signing Off (Graduate Records, 1980). The groove on this recording is so highly refined and organically performed that its vibe just sinks into you as a listener, almost by osmosis. I ...
Walt Weiskopf: Open Road
by C. Andrew Hovan
Since 1993, tenor saxophonist Walt Weiskopf has recorded some of the most advanced and satisfying music of the jazz genre. All told he claims over fifteen albums as a leader, with original compositions forming the core material of each and every one of his releases. The fact that he is not better known among the jazz ...
XADU: Random Abstract
by Glenn Astarita
The duo entered the studio without the services of talented bassist Bernat Hernandez who performed with the musicians on Resolution (Moonjune, 2014). But drummer Xavi Reija's booming, robust and well-defined bass drum pulses often compensate, along with guitarist Dusan Jevtovic's polyphonic voicings that steer the melodically tinged works into dark progressive metal passageways and sonic dreamscapes, ...
Albert "Tootie" Heath, Ethan Iverson, Ben Street: Philadelphia Beat
by Stefano Merighi
Ottant'anni di fragranza sono quelli di Albert “Tootie" Heath, a giudicare dalla qualità del gioco imbastito in trio con il piano di Ethan Iverson ed il contrabbasso di Ben Street, un gioco giunto alla sua terza e più riuscita mano, votato alle regole non scritte della scuola jazzistica di Philadelphia. Un magistero, quello di Heath, plasmato ...
Ross Hammond: Flight
by Mario Calvitti
Ross Hammond è un chitarrista jazz americano molto attivo da una dozzina di anni sulla scena della musica improvvisata in California, dove risiede. Per il suo ultimo CD realizzato in completa solitudine ha voluto effettuare una sorta di ritorno alle radici, andando ad esplorare quel territorio conosciuto come American Primitive Guitar, un misto di folk, blues, ...
Alex Hutton Trio: Magna Carta Suite
by Bruce Lindsay
Eight hundred years after the creation of the Magna Carta--the Great Charter that signalled a shift in power from the English monarchy to the English aristocracy--pianist Alex Hutton and his trio draw inspiration from that shift in power distribution to create the Magna Carta Suite. Hutton's trio is based in the UK but has ...
Dusko Goykovich: Latin Haze
by Nicholas F. Mondello
Reaching back deep into the memory bag, big band jazz aficionados might remember a brilliant, young Yugoslavian jazz trumpeter who graced the horn sections of Maynard Ferguson's, Woody Herman's and Clark Terry's 1960s ensembles. Shortly thereafter, Dusko Goykovich returned to Europe and, over the decades, has become one of the continent's most celebrated and beloved jazz ...
Mary Halvorson: Meltframe
by Dan Bilawsky
It should come as no shock that Mary Halvorson's first solo guitar album is a mind-bender. In the past, regardless of where she's gone and who she's gone with, Halvorson has managed to surprise by liberally mixing uncommonly aggressive assaults, open-ended exploration(s), and, on occasion, calm(ing) cogitation. Here, standing all by her lonesome, all three of ...

