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Jeff Coffin with Caleb Chapman's Crescent Super Band: The Inside of the Outside
by Jack Bowers
The first time woodwind artist Jeff Coffin heard Caleb Chapman's Crescent Super Band, he was greatly impressed--so much so that he decided to record an album with the band. You may be impressed too, especially upon learning that the Super Band, which sounds for all the world like a professional (or advanced university) ensemble, is actually ...
Quartet: Live at the Deer Head Inn
by Richard J Salvucci
A few months ago, I discovered the Deer Head Inn at the Delaware Water Gap.. That led to discovery of Deer Head Records. Which led to the discovery of this recording. Sometimes, ignorance can lead to bliss. I hadn't heard much of Joe Locke, and aside from Bill Goodwin, the other musicians were unknown ...
School Of Music Graduate Ensemble: Like No One Else
by Hrayr Attarian
The University of the Arts in Philadelphia (UARTS) has one of the premier jazz education programs in the USA. This excellence is apparent in the exceptional careers of some of their alumni, such as bassist Stanley Clarke and trombonist Robin Eubanks. It is also documented well in the many recordings that the university's various ensembles release. ...
Ivan Valentini: Rust and Blue
by Vincenzo Roggero
L'iniziale “Nichilismo" è brano breve, secco, tagliente nelle sonorità, nervoso nello sviluppo, senza punti di riferimento. Il successivo “The Fake Five" ha un andamento lento, avviluppa l'ascoltatore tra le spire di una melodia incantatoria che nasconde sotto la superficie segnali di pericolo imminente, di sogno pronto a trasformarsi in incubo. Sono queste le ...
Steve Olson: The Ruthless Shapes of Paradise
by Alberto Bazzurro
Dopo un album di duetti con partner diversi (Conversations, 2014), Steve Olson approda a questa che è la sua opera seconda optando invece per un organico fisso per tutto il disco, un trio entro le cui maglie la sua musica pudica, rattenuta, si muove seguendo la prassi della composizione istantanea, alias improvvisazione totale. ...
Richard Sorce: A Place I've Never Been
by Edward Blanco
New York-based pianist/Composer and educator Richard Sorce has had a life-long affinity for the Brazilian genre and the music that emanated from the periods of the 50s through the 70s which led the artist to form the Latin Jazz group, The Richard Sorce Project in 2012. Sorce and the group now present their ten-track Brazilian- styled ...
Rich Halley 4: Eleven
by Budd Kopman
Following up on his wonderful previous release, Creating Structure, the Rich Halley quartet (Halley on tenor, trombonist Michael Vlatkovich, bassist Clyde Reed and drummer Carson Halley) strikes again with Eleven, tearing through eleven Halley compositions. The organizing factor of the previous album was how structure can arise and be perceived in music that is ...
Carlos Vega: Bird's Ticket
by Dan McClenaghan
Saxophonist Carlos Vega's band crackles. The sound of “A Confluence in Chi-Town," the opener on his Bird's Ticket recording, has an on-the-edge urgency in its distinctive approach to the standard jazz quintet format--bass/drums/keyboard rhythm section and a trumpet and a saxophone--a line up like Charlie Parker and Dizzy Gillespie used. Vega, a veteran of ...
AA.VV.: Jazz from America on Disques Vogue
by Maurizio Zerbo
La Sony ha pubblicato un cofanetto che l'appassionato di jazz farebbe bene a non lasciarsi sfuggire. Articolato in venti CD, il cofanetto racchiude ben quarantuno dischi originali della Vogue Records. Fondata nel 1947 dal critico Charles Delaunay, la label francese si distinse per una lungimirante progettualità rivolta sia a far incidere i grandi jazzisti ...
Marlene VerPlanck: The Mood I’m In
by C. Michael Bailey
Marlene VerPlanck has been recording since 1955. In round numbers, that is 60 years. She is a natural singer in the same way that Frank Sinatra, Roseanna Vitro, and Lyn Stanley are natural singers... they open their respective mouths and music just comes out. And, at the far end of this career, VerPlanck sounds very good. ...
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