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9

Article: Album Review

Allison Au Quartet: Forest Grove

Read "Forest Grove" reviewed by Dave Wayne

by Dave Wayne

The sheer number of great young jazz musicians coming out of every corner of the world is simply staggering. Allison Au is an alto saxophonist from Toronto, Ontario, Canada whose debut album, The Sky Was Pale Blue, Then Grey (Self-Produced, 2014) was nominated for a Juno Award: Canada's equivalent of a Grammy nomination. Her new album, ...

1

Article: Album Review

Zlatko Kaućić / Milko Lazar: Ena / One

Read "Ena / One" reviewed by Budd Kopman

by Budd Kopman

Pianist/saxophonist Milko Lazar comments on the music presented live on Ena / One: “Music from this album is a result of total improvisation. No words, no rehearsals, no expectations... Just pure communication. As such, it is designed for a creative listener who seeks a path into the unknown." Lazar performs with percussionist Zlatko Kaucic ...

6

Article: Album Review

Jane Monheit: Songbook Sessions: Ella Fitzgerald

Read "Songbook Sessions: Ella Fitzgerald" reviewed by C. Michael Bailey

by C. Michael Bailey

Jazz, like any art, is a rich loam of inspiration and direction. A given contemporary artist has many options for smartly programmed recordings centered on paying tribute. It may be homage to a repertoire, a selected composer, or a particular peer within their own musical neighborhood. Cassandra Wilson's recent Coming Forth By Day (Sony Legacy, 2015) ...

6

Article: Album Review

Ehud Asherie: Shuffle Along

Read "Shuffle Along" reviewed by Dan McClenaghan

by Dan McClenaghan

Israeli-born pianist Ehud Asherie delves deep into a quintessentially American Music on Shuffle Along. The score for the 1921 Broadway musical--tunes that were crafted before the beginning of a true “Popular" recording industry--was groundbreaking. Written by Eubie Blake and Noble Sissle, Shuffle Along, with an all-black cast, was the first Broadway production that treated African Americans ...

11

Article: Album Review

Turbulence: Vortex Generation Mechanisms

Read "Vortex Generation Mechanisms" reviewed by Karl Ackermann

by Karl Ackermann

In several of his Evil Clown groups such as String Theory, New Language Collaborative, Metal Chaos Ensemble and Leap of Faith, David Peck (aka PEK) employs enough instrumentation to supply a marching band (though they would be an odd lot for sure). On his Turbulence project, Vortex Generation Mechanisms, he leaves much of that unconventional battery ...

16

Article: Album Review

Mike Sopko - Simon Lott: The Golden Measure

Read "The Golden Measure" reviewed by Glenn Astarita

by Glenn Astarita

Cleveland, OH., reared guitarist Mike Sopko (Glimpse Trio, Birth) follows up his alliance with producer, bassist Bill Laswell and drummer Thomas Pridgen on the 2015 self-titled outing with this 2016 bass-less duo project, flanked by drummer Simon Lott (Charlie Hunter Trio, Todd Sickafoose's Blood Orange). They go for the gusto during these 21 tracks, ...

4

Article: Album Review

Matthew Shipp/Michael Bisio: Live in Seattle

Read "Live in Seattle" reviewed by Mark Corroto

by Mark Corroto

The Italian renaissance sculptor, painter, architect, poet, and scientist Michelangelo di Lodovico is often quoted, when referring to his 17-foot sculpted masterpiece David, “every block of stone has a statue inside it and it is the task of the sculptor to discover it." The same thought comes to mind when two musical sculptors chip away at ...

1

Article: Album Review

Chris Standring: Ten

Read "Ten" reviewed by Jeff Winbush

by Jeff Winbush

Eight years have passed since Chris Standring's Love and Paragraphs (Ultimate Vibe, 2008) when he last met expectation as a seasoned, if not splashy smooth jazz guitar slinger. Then Standring had something of a musical epihamy where he became simultaneously restless and ambitious. The result was the lavish Blue Bolero (Ultimate Vibe, 2010), a radical departure ...

3

Article: Album Review

Simians Of Swing: Simians Of Swing

Read "Simians Of Swing" reviewed by Bruce Lindsay

by Bruce Lindsay

Sometimes the best legends are the ones you create about yourself. The Simians of Swing, whose debut release this is, understand. As this legend has it, the London-based band is co-led by an ex-member of the Russian mafia--skilled in the martial arts--and a man who spends his days playing chess on his own while meditating on ...

11

Article: Album Review

Robin Hayward: Stop Time

Read "Stop Time" reviewed by Karl Ackermann

by Karl Ackermann

In his native Manchester, England, tuba player and composer Robin Hayward had originally studied classical music before he became involved in London's growing improvisation culture in the mid to late 1990s. Hayward then moved to Berlin to engage with the more open musical culture among younger, like-minded artists. His restless curiosity and inventiveness began to peak ...


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