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Michel Petrucciani: The OWL Years
by Maurizio Zerbo
Magistero tecnico, swing, cuore palpitante sono i tratti caratteristici di questo cofanetto, che di Michel Petrucciani)) mette a nudo le pieghe espressive più recondite. C'è il mondo evansiano sostenuto dalla cantabilità mediterranea, per proiettare la tradizione jazzistica lungo i sentieri di una magniloquente fantasia esecutiva. Svetta l'incedere lirico e trasognato di un artista inimitabile, che appartiene ...
Jacknife: The Music Of Jackie McLean
by Dan Bilawsky
If you ask any well-informed jazz fans and performers about the legacy of Jackie McLean, you're likely to be met with a response that focuses on one or two specific areas: his work as a mentor-educator and/or his playing on a number of classic Blue Note dates from the '60s. But how many will mention the ...
Ernie Watts Quartet: Wheel of Time
by Jack Bowers
On the Buddy Rich band's album Big Swing Face (circa 1967), Ernie Watts unleashes a blazing alto sax solo on the title track that is guaranteed to send chills up and down the spine and leave listeners wondering, How did he do that?" Now, almost half a century later, the seventy-year-old Watts continues to weave those ...
Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown
by Karl Ackermann
Three-quarters of bassist Bruno Råberg's Hot Box (Orbis Music, 2015) quartet, reunites on an unusual trio recording, For The Unknown. Among the unusual aspects of the album are Råberg, trumpeter Phil Grenadier and saxophonist Allan Chase turning out nineteen free improvisations in just over forty-five minutes, eight of the pieces clocking in at less than two ...
Uwe Oberg - Frank Paul Schubert - Wilbert de Joode - Mark Sanders: Rope
by Glenn Astarita
These upper-echelon European improvisers offer a grab bag of tasty treats in front of an audience at the Festival Just Music in Wiesbaden, Germany. This 2015 performance consists of three works, but the 35-minute opener Drifter," is a tour de force amid a macrocosm of delicate phrasings, succinct shadings, ethereal background treatments and scorching, climactically driven ...
Mette Henriette: Mette Henriette
by Neri Pollastri
Mette Henriette Martedatter Rølvåg, classe 1990, nata a Trondheim, nel centro della Norvegia, ma di origini sami, improvvisatrice, compositrice, sax tenore, cresciuta artisticamente in modo precoce e selvaggio," cioè con una formazione musicale plurale e disorganica: tali i cenni biografici dell'autrice di questo doppio CD, da molti salutato come sorpresa dell'anno e annuncio di una nuova ...
Gabriel Vicéns: Days
by Vincenzo Roggero
Non ancora trentenne il chitarrista portoricano Gabriel Vicéns dimostra di sapersi muovere disinvoltamente nel mare magnum del modern mainstrem, con piglio autorevole nella conduzione musicale, con studiata scaltrezza nel variare mood e atmosfere, con intelligenza nell'assicurarsi i servigi di due vecchie volpi come il sassofonista David Sanchez e il trombettista Alex Sipiagin anche co-produttore del disco, ...
Ferenc Snetberger: In Concert
by Mark Sullivan
Hungarian classical guitarist Ferenc Snétberger makes his ECM debut with a live solo guitar recording, surely the most demanding and revealing format for any guitarist. His music is the product of diverse stylistic influences: starting with jazz, but then a strong classical music influence, followed by exposure to Brazilian, South American, and flamenco guitar music. Snétberger ...
Baltazanis: End Of Seas
by Dan Bilawsky
The bounding main knows no single shape, size, or direction. It's both timeless in nature and organic in its arc and flow. Greek guitarist Costas Baltazanis seems to intuitively understand those facts. His is a music that taps into the water's vastness, appreciates its beauty, respects and harnesses its strengths, and rides the ever-adjusting tides.
Anat Fort Trio with Gianluigi Trovesi: Birdwatching
by Mark Sullivan
Israeli pianist/composer Anat Fort augments her longstanding trio with bassist Gary Wang and drummer Roland Schneider by adding Italian reedman Gianluigi Trovesi (who plays alto clarinet throughout) for her third ECM album, following 2010's And If. The trio had long been based in New York City, but since Fort 's return to Israel and Schneier's return ...

