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Article: Album Review

Michel Petrucciani: The OWL Years

Read "The OWL Years" reviewed by Maurizio Zerbo

by Maurizio Zerbo

Magistero tecnico, swing, cuore palpitante sono i tratti caratteristici di questo cofanetto, che di Michel Petrucciani)) mette a nudo le pieghe espressive più recondite. C'è il mondo evansiano sostenuto dalla cantabilità mediterranea, per proiettare la tradizione jazzistica lungo i sentieri di una magniloquente fantasia esecutiva. Svetta l'incedere lirico e trasognato di un artista inimitabile, che appartiene ...

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Article: Album Review

Jacknife: The Music Of Jackie McLean

Read "The Music Of Jackie McLean" reviewed by Dan Bilawsky

by Dan Bilawsky

If you ask any well-informed jazz fans and performers about the legacy of Jackie McLean, you're likely to be met with a response that focuses on one or two specific areas: his work as a mentor-educator and/or his playing on a number of classic Blue Note dates from the '60s. But how many will mention the ...

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Article: Album Review

Ernie Watts Quartet: Wheel of Time

Read "Wheel of Time" reviewed by Jack Bowers

by Jack Bowers

On the Buddy Rich band's album Big Swing Face (circa 1967), Ernie Watts unleashes a blazing alto sax solo on the title track that is guaranteed to send chills up and down the spine and leave listeners wondering, “How did he do that?" Now, almost half a century later, the seventy-year-old Watts continues to weave those ...

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Article: Album Review

Bruno Råberg/Phil Grenadier/Allan Chase: For The Unknown

Read "For The Unknown" reviewed by Karl Ackermann

by Karl Ackermann

Three-quarters of bassist Bruno Råberg's Hot Box (Orbis Music, 2015) quartet, reunites on an unusual trio recording, For The Unknown. Among the unusual aspects of the album are Råberg, trumpeter Phil Grenadier and saxophonist Allan Chase turning out nineteen free improvisations in just over forty-five minutes, eight of the pieces clocking in at less than two ...

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Article: Album Review

Uwe Oberg - Frank Paul Schubert - Wilbert de Joode - Mark Sanders: Rope

Read "Rope" reviewed by Glenn Astarita

by Glenn Astarita

These upper-echelon European improvisers offer a grab bag of tasty treats in front of an audience at the Festival Just Music in Wiesbaden, Germany. This 2015 performance consists of three works, but the 35-minute opener “Drifter," is a tour de force amid a macrocosm of delicate phrasings, succinct shadings, ethereal background treatments and scorching, climactically driven ...

Article: Album Review

Mette Henriette: Mette Henriette

Read "Mette Henriette" reviewed by Neri Pollastri

by Neri Pollastri

Mette Henriette Martedatter Rølvåg, classe 1990, nata a Trondheim, nel centro della Norvegia, ma di origini sami, improvvisatrice, compositrice, sax tenore, cresciuta artisticamente in modo precoce e “selvaggio," cioè con una formazione musicale plurale e disorganica: tali i cenni biografici dell'autrice di questo doppio CD, da molti salutato come sorpresa dell'anno e annuncio di una nuova ...

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Article: Album Review

Gabriel Vicéns: Days

Read "Days" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Non ancora trentenne il chitarrista portoricano Gabriel Vicéns dimostra di sapersi muovere disinvoltamente nel mare magnum del modern mainstrem, con piglio autorevole nella conduzione musicale, con studiata scaltrezza nel variare mood e atmosfere, con intelligenza nell'assicurarsi i servigi di due vecchie volpi come il sassofonista David Sanchez e il trombettista Alex Sipiagin anche co-produttore del disco, ...

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Article: Album Review

Ferenc Snetberger: In Concert

Read "In Concert" reviewed by Mark Sullivan

by Mark Sullivan

Hungarian classical guitarist Ferenc Snétberger makes his ECM debut with a live solo guitar recording, surely the most demanding and revealing format for any guitarist. His music is the product of diverse stylistic influences: starting with jazz, but then a strong classical music influence, followed by exposure to Brazilian, South American, and flamenco guitar music. Snétberger ...

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Article: Album Review

Baltazanis: End Of Seas

Read "End Of Seas" reviewed by Dan Bilawsky

by Dan Bilawsky

The bounding main knows no single shape, size, or direction. It's both timeless in nature and organic in its arc and flow. Greek guitarist Costas Baltazanis seems to intuitively understand those facts. His is a music that taps into the water's vastness, appreciates its beauty, respects and harnesses its strengths, and rides the ever-adjusting tides.

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Article: Album Review

Anat Fort Trio with Gianluigi Trovesi: Birdwatching

Read "Birdwatching" reviewed by Mark Sullivan

by Mark Sullivan

Israeli pianist/composer Anat Fort augments her longstanding trio with bassist Gary Wang and drummer Roland Schneider by adding Italian reedman Gianluigi Trovesi (who plays alto clarinet throughout) for her third ECM album, following 2010's And If. The trio had long been based in New York City, but since Fort 's return to Israel and Schneier's return ...


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