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Laurin Talese: Gorgeous Chaos
by James Nadal
True talent, like water, will rise and seek its own level. With a lifetime of readiness and recognizing opportunity, vocalist Laurin Talese brings a natural sense of self-awareness into Gorgeous Chaos, her riveting debut as a jazz chanteuse. The acapella gospel tinged phrasing that Talese conveys on the opening Someone To Watch Over Me," ...
Nicole Mitchell, Tomeka Reid, Mike Reed: Artifacts
by Vic Albani
I figli crescono. Terza generazione della mai troppo celebrata AACM chicagoana, Nicole Mitchell, Tomeka Reid e Mike Reed danno alle stampe un interessantissimo CD che è già stato votato da molte testate specializzate quale uno dei migliori, se non il migliore disco di jazz dello scorso anno. Artifacts è innanzitutto ...
Achim Kaufmann, Frank Gratkowski, Wilbert de Joode: Oblengths
by Giuseppe Segala
"L'improvvisazione collettiva è una disciplina che richiede buone orecchie, tempo di reazione immediato e abbondanti qualità musicali." Riportiamo volentieri le parole usate da Kevin Whitehead nel breve saggio che accompagna questo CD, per la loro eloquente intensità. Aggiungiamo che l'ascolto dell'improvvisazione collettiva si avvicina a tale disciplina: prevede buone orecchie, disposizione ad entrare senza timore in ...
Gaetano Partipilo and the Contemporary Five: Daylight
by Vincenzo Roggero
Daylight, prima incisione del sassofonista Gaetano Partipilo per la Tuk di Paolo Fresu, è un vivido esempio di jazz contemporaneo ricco di riferimenti -la scena newyorchese, principalmente, ma anche il rock e il pop più illuminato e altro ancora -assorbiti, rielaborati e declinati in modo personale dalla mente lucida e onnivora del leader. Partipilo assembla una ...
Mike Parker's Trio Theory: Alive Out There
by Mark Corroto
Fans of post-apocalyptic stories need not worry about whether they still will have rock music once the electric grids go down. That is, if we can turn the clocks back to the days when jazz musicians were rockstars. Perhaps the supposition of the band, Mike Parker's Trio Theory, is just that. Kill all the living dead, ...
Mac Gollehon: Mac Gollehon & The Hispanic Mechanics
by Paul Naser
It's not often you hear of Miles Davis complementing trumpet players, but apparently prolific studio player Mac Gollehon was one of the rare exceptions. Nicknamed chops" by the jazz icon (according to myth anyway), Gollehon has a very impressive resume; arranging and playing lead trumpet on over 500 gold/platinum records, he worked with big names like ...
Albert Vila: The Unquiet Sky
by Edward Blanco
Belgium-based Spanish jazz guitarist Albert Vila delivers his fourth album as leader with The Unquiet Sky, offering a tad more music than a standard album with a presentation of fourteen original compositions of modern-styled jazz that's quite appealing. There's little question whose recording this is as the leader's electric guitar voice becomes the center-piece of the ...
Goran Ivanovic Trio: Goran Ivanovic Trio
by Budd Kopman
Virtuoso Serbian guitarist Goran Ivanovic has been busy performing, if not recording since the 2008 Folk Tales and the 2006 Goran Ivanovic Group, with the only subsequent album being the 2009 Guitar Duo with Andreas Kapsalis. That void has been remedied with the very impressive Goran Ivanovic Trio, although listeners familiar with the first ...
Noah Preminger: Dark Was The Night, Cold Was The Ground
by Mark Corroto
Saxophonist Noah Preminger got this backwards. His latest release, Dark Was The Night, Cold Was The Ground should have preceded the 2015 recording Pivot: Live At The 55 Bar. Same quartet of trumpeter Jason Palmer, bassist Kim Cass, and drummer Ian Froman. Same theme, the Delta Blues. The reverse order observation is a historical one. Where ...
Taylor's Universe: Across the Universe
by Dave Wayne
Back in the day, record companies would occasionally issue Greatest Hits" compilation albums. Usually cheaply packaged (no gatefold, no credits, no liner notes, etc.), these collections were a convenient way to have all of an artist's big hits (plus some filler) in one convenient location. Record companies reaped huge profits from these collections and, perhaps, took ...

