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Katie Bull: All Hot Bodies Radiate
by Franz A. Matzner
A raucous concoction, Katie Bull's All Hot Bodies Radiate bursts with energy, its verbal and musical contortions devoted to a deceptively cacophonous mix of levity, seriousness, playfulness, and avant abstractions. Artfully balanced, Bull merges spoken-word delivery and singing to deliver her poem-lyrics in a style that cleverly evokes the best coffeehouse traditions, without being ...
Tyshawn Sorey: The Inner Spectrum of Variables
by Karl Ackermann
Tyshawn Sorey has realized a career's worth of accomplishments, accolades and appointments despite a professional resume that--with the exception of Vijay Iyer's Blood Sutra (Artist House, 2003)--is not quite ten years in the making. On the verge of his doctoral degree in composition at Columbia University, he has composed almost two-hundred works, and received the 2015 ...
Michael Bisio: Accortet
by John Sharpe
A history of the accordion in jazz would be a slight volume. The accordion sits midway between horn and keyboard, and perhaps it's a surprise given its versatility that it doesn't have a higher profile. Klezmer influenced companies apart, the rollcall at the exploratory end of the spectrum would include Anthony Braxton (of course), The Claudia ...
Ondrej Stveracek: Calm
by Edward Blanco
Veteran Chech-Republic hard-bop saxophonist Ondrej Stveracek, has been a mainstay of the European jazz scene and remains one of the finest proponents of the bop sound, now delivers another outstanding musical statement with the misleadingly titled Calm, since the meat of this date, is far more explosive and fiery than calm in texture. The album's repertoire--all ...
Guinga: Porto da Madama
by Budd Kopman
Brazilian music is an immediately recognizable genre with a distinct sense of melancholy underlying its beautiful melodies and harmonies. Indeed, the poetic lyrics, the soft edges of the language itself and the particular chordal colorings chosen virtually define that which is “Brazil." Although this exceedingly attractive music has naturally been picked up by musicians ...
Julian Lage: Arclight
by Mario Calvitti
Il nuovo album del chitarrista Julian Lage, che segue a breve distanza di tempo il precedente World's Fair, ci dà un'ulteriore dimostrazione del suo immenso talento. A soli 28 anni, e con già 20 anni di attività professionale alle spalle, Lage ha accumulato un bagaglio tecnico strumentale di assoluta eccellenza, che ha modo di esibire anche ...
Rob Mazurek/Emmett Kelly: Alien Flower Sutra
by Karl Ackermann
It's nothing new for Rob Mazurek to travel the road less taken. What's surprising is that he continues to locate so many alternate routes of expression; his creative compass pointing in directions rarely seen by others. Alien Flower Sutra , a (mostly) duo outing with Emmett Kelly, explores yet another artistic set of elements that should ...
Rebecka Larsdotter: Whirlwind
by Jakob Baekgaard
Finding a balance between original material and the great tradition of jazz classics and standards can be difficult as a singer. Sometimes, you end up with albums that merely replicate what has already been said, and other times you encounter music that cuts all ties to tradition and ends up being strangely anonymous. This is not ...
Adrienne Fenemor: Mo' Puddin'
by Edward Blanco
Vocalist, Hammond B 3 specialist and educator, Adrienne Fenemor unveils a tasteful musical treat with the dynamic Mo' Puddin' presenting an explosive session of organ-based music offering a selection of six originals and three standards full of swing and swagger. A New York-based performer and educator since moving to the USA in 2008, Fenemor was born ...
Lucian Ban Elevation: Songs from Afar
by Neri Pollastri
Residente negli USA ma nato e cresciuto a Teaca, villaggio della Transilvania, il pianista Lucian Ban presenta in questo CD una panoramica della sua poetica, cangiante fin dalla disposizione della formazione: un classico quartetto con il sax tenore di Abraham Burton, che si allarga a quintetto in quasi tutte le tracce per la presenza della viola ...
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