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Boy's Big Band: Return
by Jack Bowers
In the decade spanning 1960-70, composer / saxophonist Boy Edgar (1915-1980) led one of The Netherlands' most acclaimed and adventurous big bands, a contemporary of the massive Metropole Orchestra and precursor of the renowned Dutch Jazz Orchestra. Return consists of nine never-before-released concert performances recorded during the band's heyday in 1965-66 including the first recording of ...
Eric Revis Trio: Crowded Solitudes
by John Sharpe
In following his own star, bassist Eric Revis continues to explore terrain further off the charts than erstwhile employers Branford Marsalis, Steve Coleman and Kurt Rosenwinkel. For the sequel to the acclaimed City of Asylum (Clean Feed, 2013), Revis retains Kris Davis on piano but replaces Andrew Cyrille with Gerald Cleaver in the drum chair. Revis ...
Umlaut Big Band: Euro Swing Vol. 2
by Mark Corroto
In Elvis Costello's autobiography, Unfaithful Music & Disappearing Ink (2015), he writes about his mother working in a music shop in the 1940s in Britain, and how she somehow became an expert in acquiring American jazz records from musicians and other international travelers. Certainly, she learned her craft from other music sellers and fans, maybe a ...
Karavika: Of Earth And Sky
by Dan McClenaghan
Can't find a musical genre that fits the needs of your means of artistic expression? Then create your own. That's what Karavika did, with their gorgeous and provocative debut, Sunrise ( Self Produced, 2012). Call it raga/chamber/folk music if you will, a blend of multiple influences from multiple cultures, with a South Asian foundation in Sri ...
Richie Cole: Pittsburgh
by Jack Bowers
After a lifetime of movin' on that has taken him from Trenton, NJ, to cities, towns and hamlets across the country and around the world, it seems that alto saxophonist Richie Cole, now fifty-eight, is at last ready to settle down and plant some roots. As he declares in his latest album's opening number, “I Have ...
New Focus: New Focus On Song
by Roger Farbey
The follow-up to Konrad Wiszniewski and Euan Stevenson's 2012 eponymous debut album is an idiosyncratic amalgam of folk, jazz and classical music. The opening number “Air In D Minor," which subtly fades in at the start and fades out at the close, sounds like nothing so much as a cinematic theme tune, crucially embellished by the ...
Mammal Hands: Floa
by Phil Barnes
Mammal Hands debut album Animalia from autumn 2014 impressed with its emphasis on the overall collective effect over solo pyrotechnics, a choice that perfectly complemented the build and release of tension in the music. Of course in a trio set up the contributions of each member are always discernible and the twist of substituting Jordan Smart's ...
University of Missouri Concert Jazz Band: Open Window / Flying Colors
by Jack Bowers
Here are two recent studio recordings by the well-disciplined University of Missouri Concert Jazz Band under director Arthur White, the first (Open Window) from 2014, the second (Flying Colors) from 2016. Tenor saxophonist Jimmy Greene and trumpeter Sean Jones are special guests on Window, vibraphonist Mike Mainieri and trumpeter Randy Brecker on Colors. ...
Dida Pelled: A Missing Shade of Blue
by C. Michael Bailey
Guitarist and vocalist Dida Pelled previous Red Records release, Dida Pelled: Plays and Sings (Red Records, 2011) was one of my pics for Best-of-the-Year in 2011). That recording was so refreshingly organic that it has remained in my listening rotation since that time. Pelled snuck in a self-produced Modern Love Songs (2015) between Plays and Sings ...
Merzbow/Keiji Haino/Balazs Pandi: An Untroublesome Defencelessness
by Mark Corroto
The often repeated refrain to a complaint about music is, “If it's too loud, then you're too old," doesn't apply to An Untroublesome Defencelessness by Merzbow, Keiji Haino, and Balázs Pándi. You probably should just agree, it is too loud. With any Merzbow record, it just seems to never gets old. Of late, Merzbow's, ...
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