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Julian Shore: Which Way Now?
by Vincenzo Roggero
L'inizio è promettente. Archi che aprono gentilmente le danze, sinuosi e senza smancerie, accordi di pianoforte che introducono la melodia, il dialogo tra le parti intimista, ricco di suggestioni, evocativo, con piccole anomalie che esaltano l'armonioso incedere complessivo. Poi Wich Way Now si incanala verso un'esercizio di stile. Tutto perfettamente calibrato, la precisione ...
Nels Cline: Lovers
by Jerome Wilson
When I first heard excerpts from Nels Cline's Lovers project, I wasn't too impressed. I thought it sounded like some kind of archaic “mood music" album. Then as I heard more about the set, including the songs being performed and the personnel performing them, I became intrigued. Now I've heard the entire thing and understand what ...
Stephan Crump: Stephan Crump's Rhombal
by Glenn Astarita
During the advent of bop and the hot n' heavy mainstream swing years, a session with a stellar lineup of critically acclaimed musicians would often be referred to as the [insert magazine name] Critics' Poll All-Stars or something like John Doe and his Jazz All-Stars. However, venerable bassist Stephan Crump underscores the premise of this album ...
Twin Talk: Twin Talk
by Mark F. Turner
One of the more pleasant listening experiences this year has been Twin Talk from the eponymous Indie group based in Chicago. The jazz trio of drummer Andrew Green, saxophonist Dustin Laurenzi and bassist/vocalist Katie Ernst produce a project of fresh music and through original material and inventive performances. Having worked together over the ...
Joe McPhee: Flowers
by Mark Corroto
For the longest time it was a commonly held belief that solo saxophone performances, especially freely improvised solo saxophone performances, were an acquired taste. Meaning they are things that one has come to like only through experience, but mostly it is a polite way to say you find the music distasteful. Certainly, much of improvised music ...
Leverton Fox: Velcro Bird
by John Eyles
Leverton Fox was formed in 2007 when trumpeter/electronicist Alex Bonney, drummer/electronicist Tim Giles and guitarist/electronicist Matt Groom came together. That trio released Country Dances (Gravid Hands, 2009) but by the release of The Human Arm (Not Applicable, 2012) Groom had been replaced by Sam Britton on electronics. The line-up has remained stable ever since, through the ...
Tuomo Uusitalo: Love Song
by Tyran Grillo
Pianist, composer, and educator Tuomo Uusitalo--born in Finland and, since 2012, a resident fixture of the New York City jazz scene--offers up something special in Love Song, his second album as leader. Special, not only because with it Uusitalo has rewritten his name into the ledger of modern jazz in flowing script, but also because he ...
Jane Ira Bloom: Early Americans
by Alberto Bazzurro
Inciso a metà luglio del 2015, questo è con tutta probabilità il miglior album di Jane Ira Bloom che ci sia passato per le mani. Le grandi curiosità iniziali, attorno a questa esile donna che oltre trent'anni fa faceva parlare di sé accanto ai maestri dello strumento che si stava imponendo come una sorta di cornucopia ...
Matteo Tundo: Zero Brane
by Neri Pollastri
Secondo e assai notevole album per Matteo Tundo, chitarrista di Potenza residente a Firenze, alla guida di un sestetto di eccellenti musicisti su un programma di proprie composizioni (fa eccezione solo “Twelve Tone Tune Two," di Bill Evans), ispirate a concetti e teorie della fisica, e caratterizzate da strutture complesse e varietà di atmosfere.
Derek Brown: Beatbox Sax
by Dan McClenaghan
One man bands are something of a novelty: some guy with a half a dozen instruments (or more)--guitar, drums, harmonica--affixed to his body in various ways. Saxophonist Derek Brown blows the one man band route with just the saxophone on Beatbox Sax. The first reaction on spinning the disc, opening with Brown's original composition, ...
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