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Kenny Washington: Moanin'
by Chris Mosey
Feed “Kenny Washington" into Google and up come “Kenny Washington (Football player)," “Kenny Washington (Basketball)" and “Kenny Washington (Drummer)." None of whom is the Kenny Washington who wowed Danish jazz audiences for three nights at Jazzhus Montmartre, Copenhagen in October 2015. That Kenny Washington was born in New Orleans and presently inhabits the ...
Darcy James Argue's Secret Society: Real Enemies
by Angelo Leonardi
Real Enemies, la performance multimediale che Darcy James Argue ha presentato in varie occasioni nell'ultimo anno, ci consente di apprezzare con la dovuta concentrazione la multiforme ricchezza dei suoi percorsi. A sette anni dal debutto con Infernal Machine (seguito nel 2012 da Brooklyn Babylon) l'arrangiatore canadese conferma d'essere il massimo orchestratore emerso nel decennio, ...
William Hooker: Light - The Early Years 1975-1989
by Giuseppe Segala
L'etichetta lituana NoBusiness Records, orientata verso il free storico e la musica più recente che ne è derivata, si distingue anche per le raffinate riedizioni in tiratura limitata. Light, sottotitolato The Early Years, 1975- 1989, presenta in quattro CD l'attività del batterista e compositore William Hooker, catturata in quegli anni in locali, studi radiofonici, loft e ...
Tomo Jacobson: When the sleeping fish turn red and the skies start to sing in C major I will follow you to the end
by Dan McClenaghan
Copenhagen-based bassist Tomo Jacobson--employing his musical vehicle, Moonbow--creates a musical ruckus with When the sleeping fish turn red and the skies start to sing in C-major I will follow you to the end (how's that for a CD title?). And it sounds like a ruckus in the blacksmith shop--metallic, slashing guitar, raucous, ragged-edged, tin/brass saxophones over ...
Niels-Henning Orsted Pedersen & Mulgrew Miller: The Duo - Live!
by Chris Mosey
After admiring each other's playing from afar for years, Danish bassist Niels-Henning Ørsted Pedersen and American pianist Mulgrew Miller got together in 1999 to record a promotional album of Duke Ellington numbers for the hi-fi company Bang & Olufsen. They enjoyed it so much that the following year they got together again for ...
Ale Torriggino: Sureste
by Sacha O'Grady
When it comes to blues, folk-rock and Americana, one may not necessarily think of South America. Such is the stereotype many in the West can place upon other non English speaking countries who think that it is only in England and North America where musicians are truly qualified to add to the great American songbook. But ...
Jakob Bro: Streams
by Mark Sullivan
Danish guitarist Jakob Bro's second ECM album as leader continues with the trio concept of his debut Gefion (ECM, 2015). That album was a low-key stunner, with drummer Jon Christensen frequently taking a role as much textural as rhythmic. Streams is a somewhat more extroverted affair. It's tempting to attribute the change to new drummer Joey ...
Thollem McDonas: Your Letter Must Have Followed Me All Over The World
by Dave Wayne
Coming at improvisational music from the classical realm, pianist Thollem McDonas remains resolutely outside of the main stream of the jazz world. Primarily inspired by, as he puts it in his liner notes to Meeting at the Parting Place, ... “European concert music from the Renaissance to the 20th Century and jazz, particularly of the '60s ...
Nate Wooley/Hugo Antunes/Jorge Queijo/Mário Costa/Chris Corsano: Purple Patio
by John Sharpe
From the perspective of release dates Purple Patio can be seen as a follow up to Malus (NoBusiness Records, 2014) by the core trio of trumpeter Nate Wooley, Belgium-based Portuguese bassist Hugo Antunes and celebrated drummer Chris Corsano. But in actual fact the limited edition LP was recorded two weeks previously, presumably during the same tour. ...
Satoko Fujii / Joe Fonda: Duet
by Budd Kopman
The story behind the creation of the miraculous album, Duet by pianist Satoko Fujii and bassist Joe Fonda is one of those things that makes one a believer in karma. Although both have played with reed man Gebhard Ullmann in various configurations, Fujii and Fonda had never met, and had not heard much, if ...
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