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Davy Knowles: Three Miles From Avalon
by Doug Collette
It's tempting to call Davy Knowles' Three Miles From Avalon a sequel to his first solo album The Outsider (Independent, 2014). But that misrepresents an artistic progression that goes back to the days this young native of the Isle of Man was fronting the blues-rock quartet Back Door Slam back in 2003. Fractured by the tragedy ...
Alyssa Allgood: Out Of The Blue
by Mark Sullivan
Chicago vocalist Alyssa Allgood devotes her first full length album to an unexpected source: the classic hard bop repertoire of Blue Note Records. The label is mainly known for instrumental jazz, and all of these selections were originally instrumental. This presents no problem for Allgood, who demonstrates equal facility scatting, singing wordless vocalise, and writing lyrics ...
Ricardo Grilli: 1954
by Jerome Wilson
Ricardo Grilli is a New York-based guitarist whose music is a gentle blend of jazz and progressive rock. He leads a quartet of accomplished musicians who know how to alternately be calm and spacious or rhythmic and grooving. On the calmer side “Rings" has a quietly throbbing beat and mellow texture set up by Joe Martin's ...
Eric Alexander: Second Impression
by Jack Bowers
Not only has tenor saxophonist Eric Alexander recorded more than thirty-five albums as a leader since arriving in New York City some twenty years ago, he has appeared on almost as many others as a sideman. He's such an earnest blue-collar worker that one almost expects him to carry his saxophone in a lunch pail instead ...
Empirical: Out 'N' In
by Jakob Baekgaard
One of the great things about tributes is that they allow one to revisit and appreciate the influence of artists that deserve more exposure. This is definitely the case with the British group Empirical's tribute to reed player and composer, Eric Dolphy. Out 'n' In was released in 2009 and is still a text book example ...
Earprint: Earprint
by Jerome Wilson
Earprint follows the pattern laid down by several newer jazz groups in the last few years. They do short, pithy songs in the four to six minute range, sue choppy rhythms which draw a lot from rock and hip hop and construct intricate, slightly tongue-in- cheek melodies. This concept allows them to explore a large swath ...
The Richard Sorce Project: Closer Than Before
by Mark Sullivan
Lush Brazilian-flavored Latin jazz from composer/pianist/arranger Richard Sorce and his nine-piece group consisting of a five-piece rhythm section, a three-piece horn section and vocalists (augmented by occasional horn and string sections). An accomplished musician and academic, Sorce has received several Meet the Composer grants, is an ASCAP award winning composer and songwriter and the recipient of ...
Artiom Krikunov / Ruslan Tustanovskiy: Untitled
by Jack Bowers
In 1983, guitarist Joe Pass and tenor saxophone legend Zoot Sims went into a studio and recorded the impressive album Blues for Two. Among those who were most impressed was another guitarist, Artiom Krikunov, who was inspired to pay homage to Messrs. Pass and Sims by recording his own duo album in tandem with Russian-born alto ...
Marco Sanguinetti: Cómo desaparecer completamente
by Geno Thackara
Devoting an entire album to another artist's songs is a tradition with, let's say, a checkered history. It can be done out of anything from genuine love to simple goofy novelty. The results are sometimes honorable or even transcendent, other times often pointless copies or cheap money grabs (remember that early-noughties flood of string quartet tributes ...
Rik Wright's Fundamental Forces: Subtle Energy
by Geannine Reid
Guitarist Rik Wright returns with Subtle Energy, an album that continues his exploration of well-crafted originals and band chemistry, again in a quartet format, but with a slightly more relaxed approach to the music compared to his earlier quartet records. The Seattle-based guitarist's previous releases were based on a trilogy of primary colors, Blue (2013), Red ...
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