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11

Article: Album Review

Niculin Janett Quartet (feat. Rich Perry): No Parking Any Time

Read "No Parking Any Time" reviewed by Matthew Aquiline

by Matthew Aquiline

Zurich-based alto saxophonist and composer Niculin Janett, in the naming of his quartet's debut album, encapsulated the essence of his music with an otherwise vexatious phrase that regularly victimizes most city dwellers: No Parking Any Time. Although irritating for motorists, an ordinance prohibiting parking in terms of music, especially jazz, would seemingly stimulate perpetual movement and ...

6

Article: Album Review

Roger Garfitt, Nikki Iles, John Williams Octet: In All My Holy Mountain

Read "In All My Holy Mountain" reviewed by Roger Farbey

by Roger Farbey

The amalgamation of poetry with jazz is not a new concept. Jack Kerouac was reading his words accompanied by Steve Allen on piano on the album Poetry For The Beat Generation way back in 1959 and over the water in 1963 The Michael Garrick Trio with Joe Harriott and Shake Keane released the EP Blues For ...

12

Article: Album Review

Satoko Fujii: Invisible Hand

Read "Invisible Hand" reviewed by Dan McClenaghan

by Dan McClenaghan

In Satoko Fujii's extensive discography--about eighty releases, including recordings by several big bands and a variety a small combo groups--solo piano outings are scarce. There was Sketches (NatSat Records, 2004); and Gen Himmel (Libra Records, 2013), and not much else. Until now, with a Invisible Hand, a double CD set, recorded live at the jazz club ...

9

Article: Album Review

Satoko Fujii: Invisible Hand

Read "Invisible Hand" reviewed by Budd Kopman

by Budd Kopman

Pianist and composer Satoko Fujii, otherwise known by the cognoscenti as “the Ellington of free jazz" and “musical citizen of the world," has produced an enormous body of work as a leader, co-leader or sideman that now numbers around 80 CDs in many configurations ranging from solo to big band. After spending even a short time ...

5

Article: Album Review

Baron Tymas: Montréal

Read "Montréal" reviewed by Roger Farbey

by Roger Farbey

The title of this album recalls guitarist Baron Tymas's experience as a Fulbright Fellow at Concordia University, Montréal in late 2015. All the compositions here are written by Tymas and mostly they are inspired by the sights, sounds and people of that city. It was warm during the fall of that year and the music here ...

32

Article: Album Review

Chicago / London Underground: A Night Walking Through Mirrors

Read "A Night Walking Through Mirrors" reviewed by Karl Ackermann

by Karl Ackermann

As an artist and a surveyor of a broader universe, Rob Mazurek focuses on the journey rather than on planting a flag in undiscovered territories. Whether on his multi-instrumental solo work Mother Ode (Corbett vs Dempsey, 2014) or in the large ensemble formation of his most recent Exploding Star Orchestra project, Galactic Parables: Volume 1 (Cuneiform, ...

31

Article: Album Review

Gong: Rejoice! I'm Dead!

Read "Rejoice! I'm Dead!" reviewed by Glenn Astarita

by Glenn Astarita

Vocalist, guitarist and composer, Daevid Allen was perhaps progressive rock's favorite hippie, and in the 1960s co-founded pivotal and revered Euro outfits, Gong and Soft Machine. Since the late 60s, Allen embarked on a solo career and led various psych-rock ensembles amid resurgences of Gong, which is an entity that sports a manifold legacy, spanning disparate ...

10

Article: Album Review

The Nile Project: Jinja

Read "Jinja" reviewed by James Nadal

by James Nadal

With an approximate length of 4,258 miles, the Nile River meanders through the heart of the African continent and supplies water to a host of countries along its course. The cross-cultural nationalities which are found along its trajectory, is represented in The Nile Project, a unique musicians collective founded in 2013, whose mission is to raise ...

11

Article: Album Review

Deborah Brown: Kansas City Here I Come

Read "Kansas City Here I Come" reviewed by Victor L. Schermer

by Victor L. Schermer

Jazz vocalists occupy a wide swath of styles from those who mercilessly belt out a tune to those who use the ever evolving vocabulary of the jazz idiom with care and precision. Deborah Brown is one of the most sophisticated of the latter genre. She is a true artist. She never wastes a note, inflection, or ...

24

Article: Album Review

Mostly Other People Do the Killing: Loafer's Hollow

Read "Loafer's Hollow" reviewed by Karl Ackermann

by Karl Ackermann

Blowing up Mostly Other People Do the Killing from its core quartet to a septet may seem like an invitation to dance on the musical third rail. The group that has always straddled the broad and fuzzy line between tradition and chaotic improvisation, has nevertheless managed that process with a mixture of sophistication, revelation and unbridled ...


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