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David Feldman: Horizonte
by Dan Bilawsky
Fans of the music always remember their first aural encounters with talents of note. In the case of this writer's awakening to the wonder that is pianist David Feldman, the initial point of contact was drummer Duduka Da Fonseca's Plays Toninho Horta (Zoho Music, 2011). That date--the first of three fine outings that Da Fonseca's trio ...
University of Toronto Jazz Orchestra: Sweet Ruby Suite
by Jack Bowers
"The Music of Kenny Wheeler Featuring Norma Winstone and Dave Liebman" is the subtext of this new (March 2016) recording by the first-rate University of Toronto Jazz Orchestra, more than half of which is devoted to Wheeler's picturesque “Sweet Ruby Suite," whose genesis and rationale aren't made clear, as there are no liner notes.
Jason Rigby: Detroit-Cleveland Trio: One
by Dan McClenaghan
The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...
Bob Downes Open Music: It's A Mystery
by Roger Farbey
Pursuing his self-styled Open Music route, multi-instrumentalist Bob Downes treads a very thin and courageous line between written jazz and total improvisation. Of his many recordings, some funky jazz rock, others wholly extemporized, there are several which involve organised pieces evolving into often lengthy improvisations. It's A Mystery (not to be confused with the pop song ...
Abbey Rader Quartet with Kidd Jordan: Reunion
by John Sharpe
Drummer Abbey Rader first encountered celebrated reedman Kidd Jordan when he was touring with Billy Bang and Frank Lowe back in 2000, as a member of the outfit featured on One For Jazz (No More Records, 2001). Jordan sat in, and the ensuing mix was successful enough for Rader to intend a follow up. That didn't ...
The Urge Trio: Live at the Hungry Brain
by Nicola Negri
Tomeka Reid e Keefe Jackson sono tra i protagonisti emersi dalla nuova scena jazz di Chicago, molto giovani ma già esperti collaboratori in una miriade di progetti importanti e loro stessi leader in ascesa. Insieme allo svizzero Christoph Erb, musicista altrettanto interessante attivo tra Europa e USA, formano lo Urge Trio, il cui nuovo disco esce ...
Eivind Opsvik: Overseas V
by Karl Ackermann
Like his first four Overseas albums, Eivind Opsvik's Overseas V defies conventional descriptions. The New York resident, of Norwegian roots, has developed a peculiar style that marries experimental avant-garde with the folkloric traditions of the North Country. This had been particularly evident on IV when Brandon Seabrook's mandolin and Jacob Sacks' harpsichord meet up with Tony ...
Martin Pyne: Behind The Mist
by Bruce Lindsay
Ten solo vibraphone improvisations, recorded in single takes with occasional electronic processing on three tracks, form the content of Martin Pyne's Behind The Mist. Pyne creates cool, spacious, crystalline sounds--music that seems to emerge organically from its inspirations. Pyne is a member of Busnoys, has accompanied silent films and has worked with jazz and ...
John Dikeman / Luis Vicente / Hugo Antunes / Gabriel Ferrandini: Salão Brazil
by John Sharpe
Amsterdam-domiciled American saxophonist John Dikeman and Portuguese trumpeter Luis Vicente have become regular collaborators, although the only prior evidence on disc is their first meeting in Twenty One 4tet's Live At Zaal 100 (Not Two, 2016). For the limited edition LP Salão Brazil they have enlisted two of the brassman's countrymen in Belgian-based bassist Hugo Antunes ...
Mark Dresser Seven: Sedimental You
by John Sharpe
So much has been written about Mark Dresser's brilliance as a bassist that his skill as a composer can be in danger of being forgotten. But showcases like Sedimental You and its predecessor Nourishments (Clean Feed, 2014) should more than redress that potential imbalance. His artfully arranged structures prove engaging vehicles for the improvisational insight of ...
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