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Vanessa Tagliabue Yorke: We Like It Hot
by Neri Pollastri
Nuovo album da leader per Vanessa Tagliabue Yorke, una delle più interessanti voci nostrane, che -dopo l'originalissimo Contradanza -torna a frequentare un repertorio a lei carissimo, ovvero quello delle origini del jazz, che aveva esplorato nel suo primo CD, Racine Connection. Amante dei progetti ben delineati e al tempo stesso poeticamente enigmatici, l'artista segue in questa ...
Miles Mosley: Uprising
by Andrea Murgia
La prima metà del 2017 si è rivelata veramente pienissima per i musicisti che gravitano attorno a Kamasi Washington. Dopo il ritorno di Thundercat, l'esordio di suo fratello Ronald Bruner Jr., l'opera prima di Cameron Graves e il ritorno roboante di Kendrick Lamar è il turno ora di Miles Mosley. Bassista, contrabbassista e cantante (notevole) nonché ...
Wes Montgomery with the Wynton Kelly Trio: Smokin’ in Seattle: Live at the Penthouse (1966)
by C. Michael Bailey
In his superb contribution to Bloomsbury Press' 33 & 1/3 series, Bitches Brew (2015), George Grella notes (emphasis mine): “No style of art can remain static: irrelevance is just as much a risk as the inevitable decadence that comes from a style developing to its last measure. But fans, including critics, of particular movements ...
The Charlie Bates Big Band: Silhouettes
by Roger Farbey
Born in Essex in 1994, British jazz pianist Charlie Bates was introduced to jazz in his teens and later studied for a BMus Jazz degree at the Birmingham Conservatoire. In June 2016, Bates won the Birmingham Conservatoire Jazz Composition prize with an arrangement of Cole Porter's “Everything I Love," adjudicated by Tim Garland. This ...
Oumou Sangaré: Mogoya
by James Nadal
After an eight-year recording hiatus, Malian superstar vocalist Oumou Sangaré returns to the international spotlight with a new record, on a new label, but with the same steadfast focus on African women's rights. Mogoya is her first release on the Paris-based No Format indie label, after releasing five albums over twenty years with World Circuit. Sangaré ...
Melvin Sparks: Live at Nectar’s
by Joe Gatto
A cool thing about music is that when you follow a band for a long time, you eventually get turned on to the music that influenced them. You get to hear all kinds of exciting new music, and start digging deep, going down groovy rabbit holes to discover great musicians you might not find on your ...
Howard University Jazz Ensemble: Beatrice
by Jack Bowers
One sure sign of spring is the arrival of the latest studio recording by the always exemplary Howard University Jazz Ensemble, a tradition that dates to 1976, one year after Fred Irby III (who remains its first and only music director) founded the Washington, DC-based ensemble. Unlike most of these enterprises, which are labeled HUJE followed ...
Torben Westergaard: Tangofied III
by Geno Thackara
For the finale of his globe-spanning triptych (an unplanned endeavor that unexpectedly grew from the first installment's success), bassist Torben Westergaard considers himself to be making very much a return home. After the expanded cross-national lineup and largely Argentinian focus of Tangofied II (Gateway Music, 2014), he returned to his native Denmark to record only with ...
Matt Chandler: Astrometrics
by Roger Farbey
The concept of the organ trio in jazz is well-established and often provides a dynamism that even some big bands struggle to manifest. Happily this is one such trio album. Dispensing with the pedantic formalities first, the quirky title of this album is actually an anagram derived from the first names of each of the band ...
Rev. Sekou: In Times Like These
by James Nadal
Throughout American history, southern black churches have been a source of reassurance and hope, and a respected safe haven for their congregation. Rev. Sekou (Reverend Osagyefo Uhuru Sekou) is a third generation Pentecostal-Holiness Church minister from Zent, Arkansas, who stepped out of the pulpit, taking his motivational message to the streets with In Times Like These. ...
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