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Tiger Trio: Unleashed
by John Sharpe
Three leading exponents of their instruments unite on Unleashed. Since their first collaboration in Vancouver in 2009, French bassist Joëlle Léandre and American flutist Nicole Mitchell have enjoyed a simpatico outlook, as evidenced by a clutch of Rogue Art releases including Before After (2011) and Sisters Where (2014), as well as Flowing Stream (Leo, 2014). Joining ...
Miguel Angelo: I Think I'm Going To Eat Dessert
by Jerome Wilson
Miguel Angelo is a Portuguese bassist whose main occupation is keeping the beat going for other musicians in various groups. If playing in bands is his “bread and butter" job, then it follows that a solo bass recording would be his “dessert."For most of this effort, Angelo plucks and bows with a deep, resonant ...
NICOLE JO: 20
by Ian Patterson
A most versatile and hard-working musician, Nicole Johänntgen can be heard in a variety of ensembles, embracing elements of India and the Middle East in her ethno-jazz quartet, adopting a contemporary approach to New Orleans jazz as witnessed on the marvellous Henry (Self-Produced, 2017) or tearing it up with guitarist/vocalist Peter Finc in a duo that ...
Stick Men featuring Mel Collins: Roppongi
by Mark Sullivan
Stick Men is a long standing offshoot group from the iconic progressive rock band King Crimson. Founded in 2007 by drummer Pat Mastelotto and Chapman Stick players Tony Levin and Michael Bernier, it took its name from the unusual instrumentation of two Stick players. Mastelotto recently joked that if they knew it would go on so ...
Nick Fraser: Is Life Long?
by Mark Corroto
There is a pulse, maybe better stated a pace, drummer Nick Fraser is partial to on his recording Is Life Long?. His quartet, originally named Towns And Villages, is assembled around a concept. It is a two string (bass and cello), saxophone, and drum outfit. The music trawls an insouciant path through six original compositions. Being ...
Bobo Stenson: Contra la indecision
by Mike Jurkovic
Swedish pianist Bobo Stenson could be considered an anomaly amongst the ECM roster of piano players. His work over the past decades has been more controlled and, not to be taken as an insult or affront to Stenson's earthy lyricism, less challenging than the works of past and current label-mates such as Paul Bley, Marilyn Crispell, ...
Whit Dickey: Vessel in Orbit
by Don Phipps
From the first chord struck on “Spaceship 9" by pianist Matthew Shipp, Vessel in Orbit demonstrates the epitome of seasoned and extremely talented musicians improvising together. This trio, led by drummer Whit Dickey, provides musical compositions and improvisations that are at once eerie, dark, foreboding, yet hauntingly beautiful. The recording (engineered admirably by Jim ...
Steve Reich: Pulse/Quartet
by Nenad Georgievski
In 2016, composer Steve Reich celebrated a milestone birthday and to mark the occasion an upward of hundreds of performances of his work were performed at various places around the globe. These performances and celebrations just confirmed the almost unfathomable beauty and timelessness of his oeuvre as they represented 50 years in music. They also confirmed ...
Tyshawn Sorey: Verisimilitude
by Giuseppe Segala
Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...
Sam Bardfeld: The Great Enthusiasm
by Stefano Merighi
Sam Bardfeld scrive acute note di copertina ricordando in breve la formazione culturale di un giovane nella New York degli anni settanta, dopo le dimissioni di Nixon. Una città depravata, decadente, eppure sfolgorante nella sua iperbolica creatività. La musica caraibica accanto alle prime follie di Zorn; la ruvidezza del CBGB a pochi passi dai recital di ...
