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Kerry Politzer: Diagonal
by Dan McClenaghan
Portland, Oregon-based pianist Kerry Politzer has a thing for bossa nova. Her immersion into sounds from Brazil comes into full blossom with her sixth album, Diagonal. Brazil's bossa nova sound came to world wide attention initially via the music from saxophonist Stan Getz on Jazz Samba (Verve, 1962), followed by early 1960s recordings from ...
Jazzmobile partners with Minton's Playhouse for synergy of jazz in Harlem, NYC
by Doug Hall
A synergy in jazz can mean that band members complement and combine with one another for a greater result. That same concept applies to an exciting summer announcement that kicks-off a new partnership between two renowned and heralded jazz organizations, Jazzmobile and Harlem Jazz Enterprises will team-up with the iconic Minton's Playhouse jazz club, to present ...
Blue Note 50ths, American Pianists Association Winners & More
by Marc Cohn
A light schedule of Blue Note 50th anniversaries this month: Hank Mobley's The Flip. But we missed a Thad Jones, Mel Lewis Orchestra recording (originally on Solid State but reissued on Blue Note) last month due to an error in our working discography. So, we feature album that as well. To celebrate Blue Note's 80th anniversary, ...
Wynton Marsalis, Herbie Hancock & More
by Joe Dimino
Straight outta San Francisco with his talented orchestra, Marcus Shelby opens this week's episode with music off his latest CD Transitions. We then move into the reason Marcus got into jazz and that would be the New Orleans titan Wynton Marsalis. The hour continues with Bonerama covering Led Zeppelin, Frank Grasso, Dennis Coffee and Etienne Charles. ...
Elizabeth Tombulian: Love's in Need of Love Today
by Nicholas F. Mondello
By the third track on Elizabeth Tomboulian's Love's in Need of Love Today , you discover three observations: that the album is probably going to be a rainbow of diverse grooves and textures; that Tomboulian is definitely adept at all of them; and that she takes great joy in doing so. The eleven ...
Richie Cole: Cannonball
by Nicholas F. Mondello
With Cannonball, Richie Cole and his crew deliver fourteen selections, each of which is associated with the album's namesake, Julian Cannonball Adderley. Cole has admired Adderley since their meeting when Cole was a student at Berklee School of Music. The album is a terrific salute and it once more confirms Cole as a leading flamekeeper of ...
Alex Delcourt: To My Brothers
by Victor L. Schermer
This album by bassist Alex Delcourt is a treasure of a recording, a contemporary mirror of the hard bop movement of the past. It's as if that music awakened from its sleep years later and is as fresh today as it was then. Except for seasoned valve trombonist and trumpeter John Swana, the personnel consists of ...
Gil Evans: Old Bottle New Wine
by Patrick Burnette
Arranger / pianist Gil Evans did not record extensively as a leader, and he only released a few albums in the “classic" mode established by his collaborations with Miles Davis. New Bottle Old Wine (originally released on Pacific Jazz in 1958) is perhaps the best regarded—due to the vibrant presence of Julian “Cannonball" Adderley as the ...
Ron Carter Quartet At Regattabar
by Peter Jurew
Ron Carter Quartet Regattabar Cambridge, MA February 22, 2019 You are the “World's Greatest Jazz Bassist," as a sign used to say at The Knickerbocker Saloon in New York City, where you and Cedar Walton held forth for many years. You have been at the top of your ...
Cooper-Moore: Catharsis and Creation in Community Spirit
by Jakob Baekgaard
It's tempting to think of a life in music as a linear story with a beginning, middle and end, because that's the way life is: we are born, we live, and then we die. In this narrative, one could assume there will be highs and lows and masterpieces might emerge out of a misty fog of ...
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