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WEWANTSOUNDS: A Forgotten Don Cherry and Other Gems
by Enrico Bettinello
A forgotten gem from the extensive and multi-colored discography of Don Cherry is available again, courtesy of the French label WEWANTSOUNDS [yes, their name is uppercase only!]. Home Boy, Sister Out, produced by Ramuntcho Matta, was originally released in 1985 on Barclay Records. It was distributed in France and Germany only and was never ...
Jim Snidero & Jeremy Pelt: Jubilation!
by Jack Bowers
The complete title of this splendid album by alto saxophonist Jim Snidero and trumpeter Jeremy Pelt's New York-based quintet is Jubilation! Celebrating Cannonball Adderley. In other words, honoring the life and music of one of the jazz world's most illustrious altos, a consummate artist (and showman) who ranks alongside Bird, Stitt, Pepper, Konitz, Desmond, Woods, McLean ...
Andreas Varady: Guitar Wizard On The Rise
by R.J. DeLuke
Listening to Andreas Varady play guitar, it's difficult to guess his age. Its not just the fleet fingers across the fret board, the subtle bending of notes and the dexterity. Many young players display those features. He possesses a warm tone, a mature style with free-flowing ideas that go to interesting places. His style is mature ...
Miles Davis, John Coltrane: The Final Tour: The Bootleg Series, Vol. 6
by Maurizio Comandini
Quante volte avete sentito qualche appassionato affermare che Kind of Blue di Miles Davis è il miglior disco da consigliare ad un amico che vuole iniziare ad ascoltare il jazz? Bene, il consiglio è certamente pertinente, anche se ci sono ovviamente altri mille dischi che possono fungere da entry point. Con questo cofanetto di quattro CD ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Leni Stern: Finally The Fame Has Come
by Jim Worsley
Leni Stern has long been a triumphant voice of inspiration. The truth and steadfast beauty of her lyrics and music has touched many hearts around the world. Recognition is a slippery slope, especially when one is not seeking or prioritizing it. Stern has stayed true to her roots and focused her impressive compositions, vocals, ...
ECV: Sticks and Stones
by John Kelman
While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, Ottawa, Canada-based Roddy ...
Jessica Lurie: In It For The Long Haul
by Paul Rauch
Jazz music, in all its forms, spread throughout world culture, is deeply embedded in the American experience. It is a culture based phenomena uniquely reflecting that experience in such a personal and expressive way as to embrace the myriad of crosscurrents that express new interpretations of the form. It is deep as the physicality ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond
by Karl Ackermann
Beyond the Hubs While New Orleans, Chicago, Kansas City and New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far to practice their trade. ...
Video: Cannonball in 1958
On May 7, 1958, alto saxophonist Cannonball Adderley appeared on an NBC-TV broadcast called The Subject Is Bop. He was part of the Billy Taylor All-Stars. The show was hosted by Gilbert Seldes, a music writer and critic who each week showcased a different jazz style illustrated by different guests. In the case of Adderley, he's ...
