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The Latin Tinge: Carmen Cuesta, Rebeca Vallejo and Rozina Patkai
by C. Michael Bailey
Latin vocal jazz is alive and well. Each year curiously seems to produce more and more of this commodity. No matter. While the majority is very good indeed, there are those recordings that rise above the mix into the exceptional. These are three of them. Carmen Cuesta Toda Una Vida...
Uri Caine: Gershwin Rhapsody in Blue
by C. Michael Bailey
What is to become of the Great American Songbook, that cultural document that served as scripture to the jazz community for the better part of the Twentieth Century? Today, what we think of as jazz has flown so far and wide that it's definition encompasses everything from Craig Taborn's Chants to Robert Glasper's Black Radio and ...
Wagner e Venezia
by C. Michael Bailey
Released in 1997, the Uri Caine Ensemble's Wagner e Venezia somehow evaded proper consideration within the electrons of All About Jazz. No more. Caine and his unique brand of interpretation has long been well-regarded at the magazine. Wagner e Venezia is one of the pinnacles among pinnacles from the pianist/composer's early output. Wagner e Venezia is ...
Lisa Young Quartet: Grace
by C. Michael Bailey
The Lisa Young Quartet released their third and fourth recordings in close proximity to one another. Of The Eternal Pulse (Self Produced, 2012), colleague Ian Patterson observes of the Melbourne-native Young's influences, “Young--a student of south Indian music for many years--has developed a hybrid improvisational style that combines the rhythmic contours of konnakol ...
Beethoven: Missa Solemnis
by C. Michael Bailey
Sir John Eliot Gardiner and his Monteverdi Choir will celebrate their Golden Anniversary with a performance of Claudio Monteverdi's Vespro della Beata Vergine 1610 at King's College Cambridge on March 5, 2014. It was 50 years to-the-day, in the same venue, that Gardiner and his Choir performed the Vespers as their debut. The only thing Gardiner ...
Cindy Scott: Historia
by C. Michael Bailey
Stating the obvious right off, vocalist Cindy Scott is from New Orleans. This fact thoroughly and three-dimensionally informs the twelve selections on Historia, Scott's follow-up to Let The Devil Take Tomorrow (Catahoula Records, 2009), without making a burden of it. In subtle and not-so-subtle ways, the aural aroma of the Crescent City appears like an essence, ...
Janice Borla Group: Promises to Burn
by C. Michael Bailey
The artist title is a hint: “The Janice Borla Group." Borla is a vocalist with a reputation for taking chances as evidenced on her three previous recordings, all released on Tall Grass records, From Every Angle (2006), Agents of Change (2003) and Lunar Octave (1996). What she effectively does on the current Promises to Burn is ...
Vince Lewis & Barbara Martin: Fresh Air
by C. Michael Bailey
Guitarist Vince Lewis and vocalist Barbara Martin, longtime friends and musicians, join forces for an intimate trio recording of staid standards and compelling originals on Fresh Air. Joined by bassist Paul Langosch, who lends a solid and unobtrusive foundation, Lewis and Martin deliver a program this is as well crafted as it is spontaneous and crisply ...
Yasam Hancilar Band: Here’s to Life
by C. Michael Bailey
Turkish vocalist Yasam Hancilar sings like an engineer. That should come as no surprise as he studied engineering before beginning his education and career as a jazz singer. It might be safe to assume that Hancilar is equally left- and right-brained, an assumption supported by his recording of standards, Here's To Life. Hancilar is uniquely analytical ...
Monteverdi Choir, Sir John Eliot Gardiner: Bach Motets
by C. Michael Bailey
Sir John Eliot Gardiner could easily divide his professional career into “before BCP" and after “BCP." At the close of the 20th Century, Gardiner began the Bach Cantata Pilgrimage with the bulk of the project taking place throughout the millennial year 2000. With his Monteverdi Choir and English Baroque Soloists, Gardiner performed and recorded all of ...
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