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Complete Newport 1956 & 1958
by C. Andrew Hovan
It's interesting how time seems to serve an artist when offering a better perspective of a particular time period or body of work. Such is the case with Louis Armstrong. Critics often cite his earliest recordings as the be all and end all, as if he had never recorded another note past 1950. In fact, Armstrong ...
Mark Turner Quartet at The Wexner Center
by C. Andrew Hovan
Mark Turner Quartet Wexner Center for the Arts Columbus, Ohio September 26, 2014 Some 20 years ago, tenor saxophonist Mark Turner tipped the ears of more than a few critics with his debut release for the Dutch Criss Cross label, Yam Yam. He was rightly touted as an up and coming ...
Everything Old is Blue Again: Hank Mobley, McCoy Tyner, Grant Green and Horace Silver
by C. Andrew Hovan
If you are a Blue Note fan, you undoubtedly know that over the course of their 75th anniversary year Blue Note has been reissuing important titles from the catalog at a rate of about five albums per month. It is really a fast-paced program that will appeal to folks on many levels. Some might be starting ...
Something Smoky and Something Blue
by C. Andrew Hovan
With Vincent Herring's alto providing the clarion call that ushers in the troops for a quicksilver performance entitled “Elation," it became clear that the analog warmth of this particular vinyl release possessed a tangible charm that was undeniable. So while this reviewer had previously reviewed Herring's The Uptown Shuffle as heard in the CD format and ...
Walt Weiskopf: Overdrive
by C. Andrew Hovan
Since making his first two records on the independent Iris label back in the early '90s, Walt Weiskopf has staked a claim as one of the most advanced and iconic tenor saxophonists in jazz. However, even as he went on to record one great record after another for Criss Cross beginning in 1993, Weiskopf remained under ...
Jimmy Cobb: The Original Mob
by C. Andrew Hovan
As the Smoke Sessions list of titles continues to grow, so too do we get to check out some of the country's greatest drummer. The much in-demand Joe Farnsworth has been featured on the label's releases by Harold Mabern and David Hazeltine. Furthermore, one of the most recent titles is a headlining date for the legendary ...
Louis Hayes: Return of the Jazz Communicators
by C. Andrew Hovan
Much like what has happened with Smalls Records, the cottage industry that Smoke jazz club started when they debuted their own record label last fall has continued to grow into a viable commodity. So too, there is common ground to the look and feel of each release, even as the color scheme and the music itself ...
35th Annual Tri-C JazzFest Cleveland
by C. Andrew Hovan
Playhouse Square Tri-C JazzFest Cleveland Cleveland, Ohio June 26-28, 2014 For the first time in 35 years, Cuyahoga Community College's annual jazz festival received a major makeover via the shift from a two week event in April to a three day happening in June. Also key to this paradigm shift ...
Pittsburgh JazzLive International Festival 2014
by C. Andrew Hovan
Pittsburgh JazzLive International Festival 2014 Cultural District Pittsburgh, PA June 20-22, 2014 With its modest beginnings back in 2011, the Pittsburgh JazzLive International Festival had nothing but an uphill battle in terms of sustaining a free jazz festival. It took a billion dollar endowment to keep North America's largest free ...
Roland Kirk: The Limelight/Verve Albums
by C. Andrew Hovan
Several years ago when this writer was looking for rarities to include in the column Jazz From the Vinyl Junkyard, the chances for the medium to make a huge comeback seemed to be slim at best. Fast forward and it seems that vinyl is the new black, with efforts to market it to a fresh and ...
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