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753

Article: Building a Jazz Library

Bill Evans

Read "Bill Evans" reviewed by Mark Sabbatini


Arguably the greatest jazz pianist of the 1960s and '70s, Bill Evans is generally acknowledged as the most influential pianist since Bud Powell and a primary influence on players such as Keith Jarrett and Chick Corea. Evans co-wrote Kind Of Blue with Miles Davis and some consider the pianist's Sunday At The Village Vanguard the best ...

1,014

Article: Building a Jazz Library

Thelonious Monk

Read "Thelonious Monk" reviewed by Chris M. Slawecki


Thelonious Sphere Monk is one of the true great jazz originals. Monk's family moved from North Carolina to New York City while he was still an infant. He began piano lessons around age 12, playing Harlem rent parties then graduating to Harlem clubs such as Minton's Playhouse. Monk often played with Dizzy Gillespie and ...

743

Article: Building a Jazz Library

McCoy Tyner

Read "McCoy Tyner" reviewed by AAJ Staff


Some jazz fans only have a partial acquaintance with McCoy Tyner, that being that “he was Coltrane's pianist." Indeed, it is fairly common to know McCoy Tyner only through his stellar contributions as a sideman in the 1960s, not only with Coltrane but also with Wayne Shorter, Bobby Hutcherson and Joe Henderson. Along with 'Trane, these ...

422

Article: Building a Jazz Library

Bulletin Board Members' Picks

Read "Bulletin Board Members' Picks" reviewed by AAJ Staff


Since we started the Building a Jazz Library (BAJL) series, we've assembled more than sixty collections, and that number continues to grow. We thought it might be interesting to see what readers would recommend, so we asked AAJ Bulletin Board members to provide a short list of recordings they considered essential, and the 159 different lists ...

534

Article: Building a Jazz Library

Jazz Masterpieces: 1956-1965

Read "Jazz Masterpieces: 1956-1965" reviewed by AAJ Staff


There are times when you have to hold back and let certain music speak for itself. This list of jazz masterpieces is exactly that kind of music. By definition, these records are without flaw. (Okay, so humans are inherently flawed, but you'll have to get out a microscope to find anything that falls short here.)

763

Article: Building a Jazz Library

Pat Metheny: Quantum Musician

Read "Pat Metheny: Quantum Musician" reviewed by Nathan Holaway


If Pat Metheny never plays another single note, he would have already lived a “bright size life." Pat Metheny was born in Lee's Summit, MO in 1954 and first picked up his guitar at the age of twelve. By age fifteen, he was already playing with the top jazz musicians in town. In 1974, ...

785

Article: Building a Jazz Library

Classic Bebop

Read "Classic Bebop" reviewed by Chris M. Slawecki


Bebop played the same part in the history of jazz that rock & roll played in the history of pop: Seemingly equal parts genius, accident, hard work, and willful rebellion, it was born of its turbulent times and forever changed the course of music. Bebop is the sharp dividing line between swing and modern ...

685

Article: Building a Jazz Library

Jazz With Strings

Read "Jazz With Strings" reviewed by Roger Crane


Please note the title of this collection. It does not include symphony orchestras playing jazz compositions. Nor does it feature what is known as “third stream" music, which is the combination of jazz and classical elements for what is hoped to be a unified whole. No, just like the title says, this collection includes jazz musicians ...

1,265

Article: Building a Jazz Library

Tomasz Stanko

Read "Tomasz Stanko" reviewed by Budd Kopman


Trumpeter and composer Tomasz Stanko (b. 1942 Rzeszow, Poland) was present at the birth of modern European jazz. He's most closely associated with the man who was at the center of seemingly all art forms in Poland in the late 1950s and early 1960s, Krzysztof Komeda. Although his early work has been described, even by himself, ...

501

Article: Building a Jazz Library

Drum-n-Bass

Read "Drum-n-Bass" reviewed by AAJ Staff


Electronica stands alone among modern music styles as a byproduct of both audience appeal and technological progress. Once techno had caught on and the underground scene was well-established, DJ's began experimenting more creatively with programming the beats themselves. In the clubs and in the studio (mostly in England), drum-and-bass (d-n-b) was born. (Note: you'll hear “jungle" ...


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