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Vocal Jazz: 1951-1968
by Mathew Bahl
These 17 years play out like the vocal jazz equivalent of the Rise and Fall of the Roman Empire. Much of the core body of work that makes up vocal jazz was recorded during this relatively short time span. These were the years that saw some of the greatest jazz singers working at the peak of ...
Jazz Trumpet, Part 1
by AAJ Staff
Jazz trumpet is practically an art form unto itself, with a richness in terms of its greatest soloists that is hard to match. Some have even argued for it being the classiest," most sophisticated solo instrument in jazz. Moreover, it seems that in every period of jazz history, dominant voices on trumpet have leapt ...
Bossa Nova
by AAJ Staff
In 1959, an unassuming guitarist/vocalist named João Gilberto from the Brazilian state of Bahia started a quiet revolution with his recordings Chega de Saudade (No More Blues)" and Desafinado (Off Key)" on the Odeon label. They featured arrangements by a young native of Rio de Janeiro, Antonio Carlos Jobim. Gilberto's whisper-toned, Afro-Indian-influenced Portuguese vocals complemented his ...
Blue Note's Golden Decade
by John Eyles
Blue Note! For many of us, the words alone are enough to send a tingle down the spine, conjuring up the indefinable magic of a golden age of jazz. What were the elements that made classic Blue Note records so special? The look? The feel? The sound? All of these and more. Alfred Lion's production? Francis ...
Do You Know What It Means to Miss New Orleans?
by Nathan Holaway
This article was originally published in September 2005. Do you know what it means to miss New Orleans? The Big Easy. The Crescent City. N'awlins. Some adore it, some despise it. In the aftermath of Hurricane Katrina, New Orleans continues to be the testimonial travesty of the United States. With certain political ...
Modern Jazz Guitar
by AAJ Staff
Six strings, ten fingers, improvisation, and a sense of adventure: these are the tools required to play modern jazz guitar. While guitar greats like Wes Montgomery and Jim Hall laid the foundation for bop guitar, a whole new crop of musicians came of age starting in the late '60s. Modern jazz guitar, for lack of a ...
Coleman Hawkins
by Henk de Boer
Although Adolphe Sax actually invented the saxophone, in the jazz world the title Father of the Tenor Saxophone" became justly associated with Coleman Hawkins (1904-1969), not only an inventive jazz giant but also the founder of a whole dynasty of saxophone players. Before Hawkins, the saxophone (itself born" in 1846) was mainly a favorite in marching ...
Alto Saxophone
by Bob Bernotas
Of the many members of the saxophone family, the alto and tenor have emerged as its most prominent siblings. From the mid-1920s onward, many big band alto saxophonists have filled a dual role, best personified by the multi-talented Benny Carter, serving as the lead voice in the saxophone section as well as a featured solo improvisor. ...
1959: The Most Creative Year in Jazz
by Nathan Holaway
1959 was arguably the most creative year in all of jazz history. Bird had already passed away, and this year would see the passings of Lester Young and Billie Holiday. Musically speaking, when we read jazz history texts or see the labels among the many diverse styles of jazz (i.e Free Jazz," Modal Jazz," Third Stream," ...
Piano Trio
by AAJ Staff
When one talks about jazz piano music," it is almost taken for granted they are talking about jazz piano trio music. The trio is and has been most jazz pianists' favorite format, and with good reason: the jazz piano trio has been said at times to represent the essence of jazz in the most condensed yet ...


