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Article: Album Review

Jeff Denson Quartet: Concentric Circles

Read "Concentric Circles" reviewed by Jerome Wilson


The immediate standout feature of Jeff Denson's group is that he uses a bassoon as the reed instrument. That gives an interesting twist to the quartet's sound. Denson's compositions are a free-ranging mix of fast-paced progressive jazz and pretty ballads. The nimble, woody tone of Paul Hanson's bassoon gives an intellectual feel to the ...

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Article: Album Review

Myriad3: Moons

Read "Moons" reviewed by Dave Wayne


Myriad3's third release, Moons follows very much in the vein of their first two, Tell (Alma Records, 2012) and The Where (Alma Records, 2014), yet there are subtle differences both in instrumentation and their approach to their material. In short, a lot of growth is evident when one compares Moons to its predecessors. Tell, recorded a ...

1

Article: Album Review

Rich Halley 5: The Outlier

Read "The Outlier" reviewed by Jerome Wilson


Veteran Oregon saxophonist Rich Halley has assembled here a CD that combines the volcanic force of the 60's avant-garde with a modern fealty to rhythm. On these ten tracks Halley and fellow Pacific Coast veterans, saxophonist Vinny Golia and trombonist Michael Vlatkovich storm and rumble wildly while bassist Clyde Reed and drummer Carson Halley ...

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Article: Album Review

Noah Preminger: Some Other Time

Read "Some Other Time" reviewed by Karl Ackermann


After several releases, tenor saxophonist Noah Preminger's uniqueness has become more evident. In large part, this curve is due to Preminger's own patient development of a creative process; part is an individual style but much of the appeal is in how he creates around the broader dynamics of his various groups. What has been consistent, from ...

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Article: Live Review

Festival International de Jazz de Montreal 2016

Read "Festival International de Jazz de Montreal 2016" reviewed by John Kelman


Festival International de Jazz de Montréal Montréal, Canada July 3-7, 2016 In many ways, the front of one of the festival's new T-Shirt designs said it all: swing blues soul improvisation latin gospel R 'n' B crossroads silence groove world ...

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Article: Album Review

Fred Hersch Trio: Sunday Night At The Vanguard

Read "Sunday Night At The Vanguard" reviewed by Mark Corroto


The thing about a Fred Hersch Trio recording, is that it's like a family meal at your favorite restaurant. While the kids want to start with dessert first, you may want them to enjoy the appetizers and settle in for a delicious meal before the sweets. With Hersch's trio, the last course is almost always a ...

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Article: Album Review

The Fred Hersch Trio: Sunday Night At The Vanguard

Read "Sunday Night At The Vanguard" reviewed by Dan McClenaghan


Reach up to the CD shelf and pull a handful of Fred Hersch CDS down. You'll find that the pianist has a good thing going with the Village Vanguard. Alive At The Vanguard (Palmetto Records, 2012) a stellar two CD set, and terrific solo set, Alone At the Vanguard (Palmetto Records, 2011), are Hersch's most recent ...

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Article: Album Review

Rich Halley 5: The Outlier

Read "The Outlier" reviewed by Mark Corroto


After a string of impressive quartet recordings, saxophonist Rich Halley adds multi-instrumentalist Vinny Golia to the lineup for The Outlier. The band is the Rich Halley 5, not the Rich Halley 4 + 1. There is an important distinction here. This session gives the impression of a functioning quintet, not just a guest appearance.

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Article: Album Review

Lefteris Kordis: Mediterrana

Read "Mediterrana" reviewed by Franz A. Matzner


Jazz's ability to absorb new musical traditions and take advantage of novel instrumentation is one of its most notable features. Fans of this form of experimentation will appreciate pianist Lefteris Kordis' forays into merging jazz with traditional Greek and other Mediterranean lineages. Delivered as a series of piano trio plus guest artist compositions, Mediterrana's ...

Article: Album Review

Rhythm Future Quartet: Travels

Read "Travels" reviewed by Angelo Leonardi


Hanno preso il nome da un brano di Django Reinhardt i quattro componenti di quest'organico manouche, che si distanzia dalle formazioni modellate sull'Hot Club de France e vuol gettare uno sguardo al futuro. Troppo spesso lo stile inventato da Reinhart e Grappelli nella Parigi del primo Novecento è stato conservato sotto una campana di ...


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