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Charles Mingus: The Lost Album from Ronnie Scott's
by Mark Corroto
Professionally recorded for Columbia Records, but never released, this live concert from London's Ronnie Scott's Jazz Club is seeing the light of day some fifty years later, as well as marking the centennial celebration of Charles Mingus' birth. The music was never released, not because it was unworthy (it is indeed worthy), but because Mingus along ...
The Essential Satoko Fujii, Part One: Solo, Duo, Trio, Quartet and Orchestra
by Dan McClenaghan
Satoko Fujii's recorded output comes at you hard and fast. It can overwhelm. In 2018—in celebration of her sixtieth birthday—the pianist/composer/bandleader released an album a month. Not download offerings, but real, handsomely produced CDs, with top of-the-line cover art and sturdy cardboard covers—jewels for the eye, ear and hand. Several other years have seen a release ...
Gordon Grdina: Oddly Enough: The Music Of Tim Berne
by Dan McClenaghan
Saxophonist Tim Berne farms out some of his music—oddly, since, considering his work with his groups Blood Count, Big Satan and Snakeoil, etc., his original compositions could be considered some of the least coverable sounds out there. The typical Tim Berne album growls and howls, careens around ninety degree turns, caterwauls and fires sonic laser beams ...
Mostly Other People Do the Killing: Disasters Vol. 1
by Mike Jurkovic
Rest assured, Mostly Other People Do the Killing get the joke and on Disasters Vol.1, the amorphous collective's eleventh disc and this trio's riotous second, you either get the joke too or you don't. It really makes no never-mind to this eclectic bunch because MOPDtK know instinctively that, if you don't throw yourself off balance from ...
Tomas Fujiwara's Triple Double: March
by Mark Corroto
Drummer, composer and vibraphonist Tomas Fujiwara did not set out to rebut the saying “familiarity breeds contempt," but March from his sextet Triple Double does just that. His combination of three pairs of double instruments—guitarists Mary Halvorson and Brandon Seabrook, cornet/trumpets Taylor Ho Bynum and Ralph Alessi, plus double drummers Gerald Cleaver and Tomas Fujiwara himself—creates ...
Mostly Other People Do the Killing: Disasters Vol. 1
by Karl Ackermann
Mostly Other People Do the Killing has a way of making great music sound accidental. So Disasters Vol. 1 is as suitable a name for this collection as it would be for any of their fourteen albums. In past versions, they have boasted big names such as Jon Irabagon, Peter Evans, and rising talents like guitarist ...
Satoko Fujii & Joe Fonda: Thread Of Light
by Mark Corroto
Damn the liner notes! If you didn't read the explanation of how this duo recording was produced, you would never guess it was not a studio session between pianist Satoko Fujii and bassist Joe Fonda. Thread Of Light was actually a product of the pandemic isolation, with Fujii in Kobe, Japan, and Fonda in New York. ...
Satoko Fujii & Joe Fonda: Thread Of Light
by Karl Ackermann
When pianist Satoko Fujii and bassist Joe Fonda first recorded together in 2016 on Duet, it was a shot in the dark. Neither was familiar with the other's music. Nevertheless, that album generated outstanding synergy between these two master improvisers. So much so, that in a few short years they have recorded five albums together, occasionally ...
Satoko Fujii & Joe Fonda: Thread Of Light
by Dan McClenaghan
Music finds a way. The potentially deadly Covid-19 virus and the quarantines cannot stop it; they cannot even slow it down. Resourceful artists continue to create, and pianist Satoko Fujii and bassist Joe Fonda continue to be perhaps the most resourceful and creative voices out there. Thread of Light, the Fujii/Fonda teaming's fifth album ...
Tomas Fujiwara's Triple Double: March
by Troy Dostert
Drummer Tomas Fujiwara's March, another offering from his Triple Double sextet, was recorded in December 2019, prior to the widespread racial unrest that followed the killings of George Floyd, Breonna Taylor, and many others in 2020. But it feels completely of a piece with those protests, with an unsettled anger and impatience that animate every moment ...
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