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Jazz Detective Launches Never Before Released Cal Tjader Live Sets Recorded In The 1960s At The Penthouse Jazz Club In Seattle
THIS IS THE FIRST OFFICIAL RELEASE OF PREVIOUSLY UNISSUED LIVE CAL TJADER MUSIC IN NEARLY 20 YEARS! Transferred from the original tape reels and mastered for vinyl by Bernie Grundman, Cal Tjader: Catch The Groove – Live at the Penthouse 1963-1967 is presented as a 180-gram vinyl limited edition 3-LP SET and will also be available ...
Cal Tjader: Catch The Groove: Live at the Penthouse 1963-1967
by Troy Dostert
It would be unusual to hear vibraphonist Cal Tjader mentioned alongside the all-time greats on his instrument. He is not remembered for being a fearless improviser like Bobby Hutcherson, or as deeply soulful as Milt Jackson, or as hard-swinging a presence as Lionel Hampton. Moreover, one will search in vain in his biography for the hard-fought ...
From Ragtime To Early Jazz – Celebrating New England Conservatory’s Ragtime Legacy On Tuesday, November 21 At Jordan Hall
The Gunther Schuller Society and New England Conservatory’s Contemporary Musical Arts and Jazz Studies departments will honor the birthday of the most transformative figure in NEC’s history with From Ragtime to Early Jazz, the Gunther Schuller Legacy Concert on Tuesday, November 21. Directed by CMA co-chair Hankus Netsky, From Ragtime to Early Jazz celebrates the 50th ...
Trio San: Hibiki
by Dan McClenaghan
Put a vibraphone into a small ensemble, listen in and the label “exotica" might come up--that exotic music pioneered by Martin Denny and Juan Garcia Esquivel. The pairing of pianist Satoko Fujii and vibraphonist Taiko Saito--a duo they call Futari--on their two terrific albums, Beyond (2021) and Underground (2022), both on Libra Records, sounded like exotica ...
Ivan Lins: My Heart Speaks
by Edward Blanco
Brazilian singer and composer Ivan Lins has recorded about fifty albums since 1970 but has not recorded one in over ten years. Now, this multiple Latin Grammy-Award winner remerges with the superb and inviting My Heart Speaks, perhaps the most impressive and lush recording of his long, distinguished career. An important feature here is the extraordinary ...
Jennifer Wharton's Bonegasm: Grit & Grace
by Dan Bilawsky
Blessed be the 'bone of invention and intention that is Jennifer Wharton. A mere six years ago, the noted bass trombonist had the idea to form a slide-centric septet and commission new music to bring her oft-neglected and ballasting instrument to the fore. Driven to act on that concept, Wharton thought things through, put a plan ...
New England Conservatory's 1923 Celebrates The First Woman Tango Singer Rosita Quiroga, The Innovations Of Henry Cowell, The First Recording Of 'Nkosi Sikelel'i Afrika,' Mongolian Soundscapes, And More
The year 1923 was pivotal in Music History. In a concert titled simply 1923, NEC’s Contemporary Musical Arts Department looks at how, one hundred years ago, music engaged with world events, technological innovations, and more. Directed by faculty member Anthony Coleman, the 7:30 p.m. performance on Tuesday, November 14 takes place in Jordan Hall, 30 Gainsborough ...
Kevin Sun: The Depths of Memory
by Dan McClenaghan
Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped ...
Aruán Ortiz: Pastor's Paradox
by Karl Ackermann
When clarinetist and saxophonist Don Byron and pianist Aruán Ortiz teamed up for the recording of Random Dances And (A)Tonalities (Intakt Records, 2018) they brought an unprecedented wealth of stylistic experiences to the studio. The result was an unconventional duo sound that blurred the distinctions between their collective comfort zones. Byron and Ortiz return on the ...
Bass Extraordinaire: John von Seggern / Bruno Raberg / Christopher Hale
by Doug Collette
In both its acoustic and electric form, the bass is too often overlooked in the context of musical performances both live and in studio. Yet it is this instrument that arguably confronts the greatest challenge of all in navigating arrangements and musicianship: specifically, to establish and maintain a middle ground of melody and rhythm that simultaneously ...
