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Ben Wolfe: Unjust
by Dave Linn
The history of modern jazz contains only a handful of bass players who have both led their own groups and been visionary in their compositions and approach. Charles Mingus, Charlie Haden, Dave Holland, Jaco Pastorius and Christian McBride are those who come to mind. With the release of his 10th album, Unjust, Ben Wolfe shows he ...
Dave Douglas: Songs Of Ascent Book 1 — Degrees
by Giuseppe Segala
La curiosità di Dave Douglas verso l'esplorazione, la scoperta, lo stimolo intellettivo, non si placa. Si focalizza, con inesauribile attenzione, su progetti sempre diversi. Così la sua musica, che poggia sempre su un motivo di ispirazione forte: di carattere musicale, poetico, artistico e spirituale in senso ampio. Tra gli altri, Mary Lou Williams, Wayne Shorter, Booker ...
Charles Mingus: The Lost Album from Ronnie Scott's
by Angelo Leonardi
Il 22 aprile scorso nel centenario della nascita di Charles Mingus la Resonance Records ha pubblicato un altro magistrale inedito storico. Ci riferiamo a The Lost Album from Ronnie Scott's, registrato nell'agosto 1972 dalla CBS britannica nel celebre locale londinese. Non è tanto un disco perduto ma un documento accantonato per decenni, che vede protagonista l'inedito ...
Nortonk: Nortonk
by Angelo Leonardi
Nato nel 2017 con tutti i componenti sotto i 25 anni, il quartetto Nortonk prende il nome dal batterista Kevin Norton, insegnante del programma jazz al William Paterson College. È un omaggio di allievi che hanno ben assimilato la sua estetica di musicista creativo e sperimentatore d'avanguardia. L'organico senza strumento armonico già svela ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Joe Lovano: Finding New Adventures
by R.J. DeLuke
The loss of gig and the accompanying income stream, caused by the insidious and evil coronavirus, has hurt musicians across all genres. It has separated them from friends and band mates, from projects and from going to special places—physically and artistically. Coping with it is the order of the day. It has created some dark moments ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before
by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...
Jason Palmer: The Concert: 12 Musings for Isabella
by Angelo Leonardi
Formatosi sui modelli dell'hard bop e di grandi trombettisti come Clifford Brown e Booker Little, il quarantenne Jason Palmer pubblica un secondo disco per la Giant Step Arts, dopo Rhyme and Reason del 2018. Quella di Jimmy e Dena Katz è molto più di un'etichetta ma una coraggiosa organizzazione no-profit che sostiene i musicisti lasciando loro ...
Teddy Charles and Two Bookers
Teddy Charles was a heavy hitter. A vibraphonist, composer, arranger and a producer, Teddy could swing as easily as he could explore modal territory with his groups. When I started this blog back in 2007, there were a number of musicians I wanted to interview first. Among them were Danny Bank, Hal McKusick, Sol Schlinger and ...
George Coleman: In Baltimore
by Mike Jurkovic
At 85, tenor saxophonist George Coleman has sat in on and made his presence mightily known on a host of flat out, hard bopping sessions beginning with B.B. King through Max Roach, Miles Davis, Booker Little, Lee Morgan, Herbie Hancock and . . . well, you should have got the larger picture by now.
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