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Results for "Bobo Stenson"
Norwegian Jazz 101b: JazzNorway in a Nutshell 2010
by John Kelman
2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...
Arild Andersen: Green Into Blue - Early Quartets
by John Kelman
He's one of Norway's “Big Four"—a group of artists who, with the assistance of the emerging ECM label in the early 1970s, kick-started international focus on the music from a country that, despite its relatively small population, has become a truly vital force in the evolution of jazz over the past 40 years. Alongside saxophonist Jan ...
Lars Danielsson: Signature Edition 3
by John Kelman
That Swedish bassist Lars Danielsson is a pliant, flexible player who's worked with American artists including John Abercrombie, Pat Metheny, and David Liebman, and notable European names such as Eivind Aarset, Ulf Wakenius, and Nils Petter Molvær isn't much of a secret--at least, not to audiences on the east side of the Atlantic. In North America ...
12 Points! Jazz Festival, Stavanger, Norway: Europe's New Jazz
by Ray Comiskey
Unless you're into the downtown jazz scene in Gothenburg, chances are that the name Naoko Sakata won't mean a thing to you. And Mari Kvien Brunvoll? Again, you wouldn't have a clue unless you had your ear to the ground, figuratively speaking, in Molde, home of Norway's best-known jazz festival. Or Trio VD? They're named after ...
Klaus Gesing: Heartluggage
by John Kelman
Sometimes a musician's associations are so high profile that it's easy to overlook his own work as a leader. Seeming to appear out of nowhere on British vocal legend Norma Winstone's sublime Distances (ECM, 2008) and Tunisian oudist Anouar Brahem's equally chamber-centric The Astounding Eyes of Rita (ECM, 2009), Klaus Gesing is, in fact, an established ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Gwilym Simcock: Blues Vignette
by John Kelman
Around long enough that the phrase “coming late to jazz" is no longer relevant, pianist Gwilym Simcock's star has been rapidly rising on the British scene for the past seven years, as he continues to mine the nexus of a classical upbringing with his more recent “conversion" to jazz. All too often, young artists release albums ...
Enjoy Jazz Festival: Days 7-10, October 26-29, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 The main purpose of visiting the Heidelberg/Mannheim/Ludwigshafen region may be for the music, but during the day there's plenty to see and do. Wandering around the old part of Heidelberg, it's difficult not to be moved by the profound sense of age, especially coming ...
Francesco Turrisi: Si Dolce e il Tormento
by Ian Patterson
Turin-born Francesco Turrisi has been something of a breath of fresh air on the Irish music scene since arriving on the emerald isle in 2006. In a short time he has earned a reputation as an excellent jazz pianist, percussionist and accordionist; an original voice. He can be found playing in the ebullient Balkan-flavored Yurodny, or ...
It's The Drummer, Stupid
by Mark Corroto
If you're a jazz misanthrope you probably think first to “shoot the pianist," a saying taken from the Francois Truffaut film of the same name, Tirez sur le pianiste. Truth be told, the most effective way to pull the plug on a jazz band, a very good jazz band, is to take out the drummer. An ...
